I got this question about the
OT/Tanaach portrayal of pagan idols and idolatry:
An atheist I know also
said that the writers of the Old Testament were simple
minded, since the other tribes etc didn't actually think the
Idols were gods, but just representatives. That people
believed that the gods dwelt in them when you talked. As you can see
this is confusing, please help… Thanks
This is the third of three articles
in this series:
1. Description
of ancient pagan religion on the subject [idle1.html]
2. Criticisms
of ancient pagan religion by non-biblical and then
biblical writers [idle2.html]
3. Specific
Pushbacks (i.e., scholars / writings which consider
the OT portrayal as being either 'culpably ignorant' or 'conscious
distortions' of pagan thought) [this piece, idle3.html]
In this
piece, I want to interact in considerably more detail with
some specific statements of scholars in the area, applying the
data and conclusions of the first two articles. I won't be
repeating much of the data from the first two articles, so
this might seem a little like 'assertions' instead of
'arguments'--but the reader can easily verify my summary
statements in the previous articles in this series.
I will be
bringing additional data to this article, which is not
mentioned in parts 1 and 2.
Some of
these statements might no longer represent the views of the
individual scholars, but the interaction should be generally
applicable to similar views.
I have
selected these statements because they are referenced (as
authoritative and correct) in many subsequent statements, so
they are/were key determinants of what might be called the
'misleading polemic' view.
Here's how
that view is often worded (from the Jewish Publication
Society's Jewish
Study Bible/Oxford):
"A comic portrayal of an
idolater. The prophet mercilessly lampoons
people who make their own gods to worship, implicitly contrasting
them with people who worship the true God. The former worship
their own creation; the latter, much more sensibly, worship their
creator. Deutero-Isaiah
to some extent misrepresents, or misunderstands, the actual
nature of idolatry as practiced in the ancient Near East,
however. Pagans did not believe that idols really were gods, but
they believed that the presence of the god entered the idol as
there-suit of complex rituals used to activate the idol after it
had been made. [Jewish Study Bible/JPS, at Is 44.9-20]
The
'misleading polemic' view essentially holds that:
1. The
biblical prophetic critique is describing foreign pagan use of
divine images and it misrepresents that view because of ignorance
(it misunderstands it); or
2. The
biblical prophetic critique is describing foreign pagan use of
divine images and it misrepresents that view because of
conscious distortion (it slanders it)
Point
number one is sometimes cast as an 'innocent'
type of ignorance, but sometimes it is actually labeled as 'culpable
ignorance'.
At this
point, readers of the previous two articles will already see a
problem with that view: the
prophetic critique does NOT seem
to be describing foreign practices
when it is describing the image/idol identity and worship
issue. It is attacking a local,
Israelite/Judahite practice, without all the 'official'
trappings of Mesopotamian mythology and official cultus.
There
would be no 'opening of the mouth' high-church ceremony for
these smaller icons (e.g., where two could be loaded on the
same pack animal). There would have been maybe only an
anointing of oil (like the 'standing stones', massebot)
or 'blessing ceremony' by the head of household (cf. Isaiah
66.3; Jdgs 17).
This local
audience means, of course,
that it will be considerably more difficult to hold to an
'ignorance' accusation, since it will be more difficult to believe that the Israelite
prophets did not understand what their neighbors were
doing and saying! In other words, the
local character of the phenomena under description will argue against
the 'ignorance' position.
And a
local audience would also militate
against a 'conscious distortion' view, since
the prophet's audience would
immediately realize this--and the prophet would
look like an out-of-touch fool or absurdly irrelevant! Having a
local target and a local audience of the (largely)
oral messages pretty well forces the prophet to at
least 'seem fair' in his/her description of the
phenomena he is attacking.
Several
passages in the prophets reflect popular 'pushbacks' to the
prophetic messages. These range from denial (e.g. Jer 2.23--"I
have not gone after the Baals"), blame-shifting ("our fathers have
eaten sour grapes and our teeth are set on edge"), counter
theological arguments ("since we stopped offering cakes to the
Queen of Heaven, all these bad things have been happening to
us"), accusations of outright lying (e.g. accusing Jeremiah of
giving a false prophecy to keep the remnant from fleeing to
Egypt), 'convenient' hermeneutics ('this prophecy is for a far
time away--it won't happen to us') and more.
So, this
consideration would tip the scales back toward the 'informed'
and 'fair statement' judgment of the prophetic critique.
But let's
go through some of the statements now, and see if we can glean
additional data from them and if we can qualify (or disagree
with) them in light of the data.
We will be
looking mostly at Kaufman and Saggs here, and restatements or
expansions of their positions in later writers.
[Note: I
will place the author's work in red,
with emphasis in blue.
My remarks will be interspersed in black
(with emphasis in teal).]
……………………………..
First,
the seminal work of Kaufman
[OT:TROI]
K: "Is not the biblical
polemic against 'idolatry'--consistently misrepresenting the religion of the
pagans as fetishism--a monumental piece of evidence?"
[OT:TROI, 3]
This is his classic statement of the
'misrepresentation'--as evidence that the biblical authors
ONLY KNEW monotheism and therefore 'guessed--and guessed
wrongly' what the pagans believed…
K: "This view is
founded on the tacit assumption that the pagan gods were
conceived of identically by both Israelite and pagan. The
passage from the earlier to the later stage is taken as the
repudiation of the pagan idea of the reality of the gods. But
what does the Bible itself tell us concerning the Israelite
conception of the nature of these gods and the nature of their
worship?
The pagan conceives of
the gods as powers embodied in nature, or as separate beings
connected with nature in some fashion. Deification of cosmic
forces provides the soil for the growth of mythology. Popular
religion conceives of the gods as persons who inhabit the
entire universe and are related in specific ways to each other
and to men. They are the heroes of popular myths, the subjects
of epic poets; to them temples are built, monuments and
images erected. In the cult, material objects usually play an
important part, the natural or manufactured object being taken
as the bearer of divine power, the dwelling place of deity, or
its symbol. While
worship of material objects is not an essential feature of
paganism, it is its natural outgrowth. Homage
is done to the god through the care given to his image. The
cult of images is thus intimately bound up with the belief in
personal gods, who have specific forms, who inhere in natural
phenomena or control them. The polytheism of the ancient
Near East during biblical times was highly developed. Its
gods and goddesses appear in literature, art, and culture in
fairly standardized forms, which were presumably familiar
not only to the clergy but to the laity as well. "
Tank: This needs qualification on several points.
First, the polytheism was so 'highly
developed' that there are multiple pantheons which differ by
social strata, and we know next to nothing about how any of
these pantheons related to the others.
"As has been seen already, the
pantheon from which Early Dynastic god lists and literary
compositions draw seems to be, by and large, one and the same.
However, the vast majority of Early Dynastic texts are neither
scholarly nor literary: they are economic and legal documents,
normally full of theophoric personal names. Thus,
the question is to what extent the pantheon attested in
the onomastic materials agrees with the pantheon of
literary and scholarly compositions. In Fara,
we can compare the theophoric names of the many individuals
mentioned in documents, the gods mentioned in lists of
offerings, and the entries in the god list. …These
figures seem to point to the existence of up to three
panthea at Fara. The pantheon represented in the god
lists and literary texts is scholarly in nature. The
pantheon of the offering lists and cultic texts is that
of the official cult. Finally, the theophoric personal
names bear witness to both the mainstream tendencies of
the official cult and the individual preferences of
popular religion… In the case of Ebla,
Archi (1996: 142-43) has shown that the theophoric names and
the pantheon attested in cultic and religious texts correspond
to two
different systems. The situation is even more
dramatic at Abu Salabih. ... Oppenheim (1977: 199-200) had
argued that the personal god could be a wildcard for any god,
and thus it could refer to Dagan or Ea, as well as to a
protective spirit or a daimon. However, Jacobsen (1970: 37-38)
regarded the personal god as an expression of private
religiosity and of the relationship between an individual and
the whole realm of the sacred. Moreover, Albertz (1978:
138-39) argues that, whereas the official pantheon included a
plethora of deities, the individual experienced only a
functional unity, the person's own god, the god who protected
and helped her or him. Nevertheless, it is impossible to know
whether these theophoric names implied an incipient or latent
henotheism of sorts, as Albertz (1978: 73, 139) would have it.
What seems clear is that there are many contexts, especially
later on, at Emar and Nuzi in which these il and Hum names
refer to the tutelar deity of a family. For instance, in Nuzi
we find references to 'the (household) gods' (ilanu) and 'the
spirits of the dead' (etemmu), which seem to correspond to
'the (household) gods' (ilu) and 'the dead' (metu) at Emar
(van der Toorn 1994; 1995; 1996: 222-23). … In
light of the comparisons made between the panthea to
which different sources bear witness, it can be argued
that the Early Dynastic god lists were scholarly
constructs, in large part detached from both personal
religiosity and public cult….. It
is commonplace to distinguish between official cult and
popular religion. The pantheon of the official cult
inhabits offering lists and ritual texts, whereas the
deities of popular religion surface in the onomastic
materials. To these two panthea, one
should add a third, the pantheon of the scribes, which
for the most part includes practical awareness of the
other two, along with a large number of gods and
goddesses whose main role was to fill the interstices
of sacred narratives and to shape divine genealogies
within the confines of a world made of clay. "
[OT:RCRM, 106ff; "Mapping
the
Pantheon in Early Mesopotamia", Gonzalo Rubio]
Secondly, we have no data to suggest
that the common 'laity' knew anything about the myths. Almost
every scrap of data we have suggests that the common man had
almost nothing to do with the myths (that Isaiah should have
made fun of, under Kaufman's position).
We have already seen numerous
statements to this effect in the earlier pieces, but let me
cite another source--Oppenheim--who takes a strong stance on
our ignorance in this regards:
"As to iconographic
material—reliefs, seals, clay plaques— which is likely to shed
light on Mesopotamian religion, one can think, a priori, of
narrative representations meant to illustrate the story of a
deity.
Such representations do not seem to have had any important
role in Mesopotamian religion. The world of the myth
remains relegated to the level of literary creation
throughout the entire known history of Mesopotamia.
Only quite early and in marginal instances do representations
seem to allude, secondarily, to written myths. The heroic or
otherwise extraordinary achievements of the deity are not
expressed as acts but rather are sublimated and symbolized.
Non-narrative, non-objective formulations that bear in some
way on the cult as enacted in the sanctuary are displayed in
what we call heraldic symbols—often animal-shaped—which
acquired sanctity through processes totally beyond our
comprehension; furthermore, they may visualize—often in the
form of weapons and other objects—formulaic statements
concerning the deity and the world of man which are, today,
out of our reach. [HI:AM, 174]
"The prayers contain no
indication of an emotion-charged preference for a specific
central topic such as, for example, the individual in relation
to spiritual or moral contexts of universal reach, the problem
of death and survival, the problem of immediate contact with
the divine, to mention here some topoi that might be expected
to leave an imprint on the religious literature of a
civilization as complex as the Mesopotamian. One
obtains the impression—confirmed by other indications—
that the influence of religion on the individual,
as well as on the community as a whole, was unimportant in
Mesopotamia. No texts tell us that ritual
requirements in any stringent way affected the individual's
physiological appetites, his psychological preferences, or his
attitude toward his possessions or his family. His
body, his time, and his valuables were in no serious way
affected by religious demands, and thus no
conflict of loyalties arose to disturb or shake him. Death was
accepted in a truly matter-of-fact way, and the participation
of the individual in the cult of the city deity was
restricted in the extreme; he was simply an onlooker
in certain public ceremonies of rejoicing or communal
mourning. He lived in a quite
tepid religious climate within a framework of socio-economic
rather than cultic co-ordinates. His expectations and
apprehensions as well as his moral code revolved within the
orbit of a small urban or rural society. [HI:AM, 175f]
"One principle might be
singled out as a possible help in approaching Mesopotamian
religious life and practice. This is its social
stratification, which is more or less in evidence in the texts
of all periods and regions. If
one separates the royal religion from that of the
common man, and both from that of the priest,
one could possibly obtain something approaching an
unobstructed vista. A large part of what we assume to be
Mesopotamian religion has meaning only
in relation to royal person-ages—and for
this reason distorts our concepts. The religion of the
priest was centered primarily on the image and temple; it
was concerned with the service the image required—not only
in sacrifices but also in hymns of praise—and with the
apotropaic functions of these images for the community.
In a later section of this chapter we shall discuss in detail
how the practices that originally concerned only the king
influenced successively the court and even, presumably, the
common man in a process of diffusion that is well known to the
student of the sociology of religion. The
common man, lastly, remains an unknown, the most
important unknown element in Mesopotamian religion. We
have already pointed out that religion's claims on the
private individual were extremely limited in
Mesopotamia; prayers, fasts, mortification, and taboos
were apparently imposed only on the king.
A similar situation
prevails with respect to divine communications. The king could receive divine messages of certain
types, but it was not considered acceptable for a
private person to approach the deity through dreams and
visions. Such
practices on the part of private persons are recorded in our
sources, but only quite rarely, mostly from outside the
Babylonian area (from Mari) and, later, from Assyria—possibly
under Western influence. In both regions, certain types of
priests make oracular utterances, a practice which is never
attested for the Mesopotamian heartland. As already indicated,
it can be asserted that communal religious experiences such as
participation
in cyclical festivals and mourning ceremonies,
enacted in Mesopotamia always through the intermediary of
the sanctuary, represent
the
only admitted avenue of communication with the deity.
Manifestations of religious feelings, as far as the common man
is concerned, were ceremonial and formalized rather than
intense and personal. [HI:AM, 179f]
"As for the relationship
of the image to the sanctuary in which it resided on its
pedestal in the cella, it paralleled in all essential aspects
that of the king in relation to his palace and, ultimately, to
his city. The god lived in the sanctuary with his family and
was served in courtly fashion by his officials, who relied on
craftsmen and workers to provide them with the material
setting needed to fulfil their functions in a way that
befitted the status of the god and his city. In its cella, the
image received the visits of lesser gods and the prayers of
supplicants, although
it remains a moot question to what degree and under
what circumstances it was accessible, if at all, to
the common man. We even know of Assyrian kings who
came as conquerors and were allowed to worship the
image only from outside the sanctuary
in which it was enthroned. This practice may have differed
according to regional traditions and the status of the deity.
The image was lifted above the level of human activities by
means of a pedestal, encased in the recessed niche of the
cella, and
shielded from the outside world by one
or more antecellas, but still visible from the courtyard
through several co-axially arranged doorways and within the
frame of the monumental gates.
In such cases, the common man was probably not permitted
to enter the sanctuary; wherever
architectural presentation prevents such a vista, we are at a
loss to know whether the worshipers were admitted to or
excluded from the sanctuary. [HI:AM, 186f]
The common Mesopotamian--and to a
great extent the commoner Israelite audience of the prophets
(!)--just would not have understood any such satire--they did
not have a base of knowledge to even 'get it'…
K: "There are gods of
sky and earth, of life, love, and fertility, of death and
destruction. The gods have specific roles. There are gods of
light and darkness, of thunder and lightning, of wind and
rain, of fire and water. Mountains, springs, rivers, and
forests have their gods also. The gods have sexual qualities,
the existence of male and female deities being essential to
pagan thought. These characteristics serve as the materials
for elaborate myths in which the histories and adventures of
the gods are related. Theogonies tell of their birth and
lineage. Myths tell of their wars, loves, hatreds, and
dealings with men. The
cult is closely connected with these myths, which are the
vital core of priestly and, in a measure, of popular
religion.
Tank: This is not warranted by the
evidence. The myths were NOT closely related to the cult--they
were literary creations of imagination or even propaganda--and
rarely expressed in cultic acts. The
common folk were very distant from these works and content. These
stories are the work of poets and scribes--not priests:
"The second group of
texts to be examined contains myths
and mythologically embellished literary works.
To state at the outset my objection to the direct and
indiscriminate utilization of such texts, I submit that their
contents have already unduly encroached upon our concept of
Mesopotamian religion. All
these stories about the gods and their doings, about this
world of ours and how it came into being, these
moralizing as well as entertaining stories geared to emotional
responses represent
the
most obvious and cherished topics for the literary
creativeness of a civilization such as that of
Mesopotamia. They form something like a fantastic screen,
enticing as they are in their immediate appeal, seductive in
their far-reaching likeness to stories told all over the
ancient Near East and around the Mediterranean, but still a
screen which one must penetrate to reach the hard core of
evidence that bears directly on the forms of religious
experience of Mesopotamian man. By now, classical scholars
have learned how to bypass the screen created by mythology—and
even how to utilize what information it may convey—but in our
field we fall victim all too easily to its lure, searching for
deep insights and voices from the dawn of history, which they
allegedly convey. These
literary formulations are, in my opinion, the work of
Sumerian court poets and of Old Babylonian scribes
imitating them, bent on exploiting the artistic
possibilities of a new literary language—apart
from the "Alexandrinian" elaborations of the late period (the
Nineveh version of the Epic of Gilgamesh) and the Epic of
Creation with its "archaic" and learned artificialities. All
these works which we are wont to call mythological
should be studied by the literary critic rather than by
the historian of religion. What they
contain are adaptations, for a late public, of mythological
elements, unsophisticated and often primitive, dim reflections
of stories that circulated among certain groups of the
population of Mesopotamia as an inheritance of a distant past.
[HI:AM, 177]
"As has been seen already, the
pantheon from which Early Dynastic god lists and literary
compositions draw seems to be, by and large, one and the same.
However, the vast majority of Early Dynastic texts are neither
scholarly nor literary: they are economic and legal documents,
normally full of theophoric personal names. Thus,
the question is to what extent the pantheon attested in
the onomastic materials agrees with the pantheon of
literary and scholarly compositions. In Fara,
we can compare the theophoric names of the many individuals
mentioned in documents, the gods mentioned in lists of
offerings, and the entries in the god list. …These
figures seem to point to the existence of up to three
panthea at Fara. The pantheon represented in the god
lists and literary texts is scholarly in nature. The
pantheon of the offering lists and cultic texts is that
of the official cult. Finally, the theophoric personal
names bear witness to both the mainstream tendencies of
the official cult and the individual preferences of
popular religion… In the case of Ebla,
Archi (1996: 142-43) has shown that the theophoric names and
the pantheon attested in cultic and religious texts correspond
to two
different systems. The situation is even more
dramatic at Abu Salabih. ... Oppenheim (1977: 199-200) had
argued that the personal god could be a wildcard for any god,
and thus it could refer to Dagan or Ea, as well as to a
protective spirit or a daimon. However, Jacobsen (1970: 37-38)
regarded the personal god as an expression of private
religiosity and of the relationship between an individual and
the whole realm of the sacred. Moreover, Albertz (1978:
138-39) argues that, whereas the official pantheon included a
plethora of deities, the individual experienced only a
functional unity, the person's own god, the god who protected
and helped her or him. Nevertheless, it is impossible to know
whether these theophoric names implied an incipient or latent
henotheism of sorts, as Albertz (1978: 73, 139) would have it.
What seems clear is that there are many contexts, especially
later on, at Emar and Nuzi in which these il and Hum names
refer to the tutelar deity of a family. For instance, in Nuzi
we find references to 'the (household) gods' (ilanu) and 'the
spirits of the dead' (etemmu), which seem to correspond to
'the (household) gods' (ilu) and 'the dead' (metu) at Emar
(van der Toorn 1994; 1995; 1996: 222-23).
In light of the
comparisons made between the panthea to which different
sources bear witness, it can be argued that the Early
Dynastic god lists were scholarly constructs, in large part
detached from both personal religiosity and public cult. This
should come as no surprise. If one turns to Greek and Roman
literature, a substantial number of variants in the stories do
not seem to stem from local versions but from their
appropriation and literary elaboration by poets and
mythographers. Even though many myths had been standardized or
canonized during the Hellenistic period, Roman poets still felt
as free as the Attic tragedians to introduce personal variations
on traditional stories. [Footnote 45: 45."As Cameron (2004: 271)
puts it, 'no less than the Greek tragedians, Ovid felt entirely
free to handle traditional stories any way he pleased.'"]
In Mesopotamia,
the god lists belong not only to a scholarly tradition but
also to the same sphere of literary texts, and Mesopotamian
literature was, first and foremost, the business of scribes.
Most Sumerian literature as it has come to us consists of
scribal artifacts, whose life was confined to the realm of
scholars and schools. This cannot be separated from the nature
of Mesopotamian scholarship in general. The endeavors of Mesopotamian
scholars were not predicated on true empirical observation.
Whether dealing with law or with astronomical omens,
Mesopotamian scholarship was not concerned so much with what
was observed as with what could hypothetically be observed.
The same applies to the scribal manufacture of a written
pantheon. It
is commonplace to distinguish between official cult and
popular religion. The pantheon of the official cult
inhabits offering lists and ritual texts, whereas the
deities of popular religion surface in the onomastic
materials. To these two panthea, one should add a third,
the pantheon of the scribes, which for the most part
includes practical awareness of the other two, along
with a large number of gods and goddesses whose main
role was to fill the interstices of sacred narratives
and to shape divine genealogies within
the confines of a world made of clay. " [OT:RCRM, 106ff; "Mapping the
Pantheon in Early Mesopotamia", Gonzalo Rubio]
Some mythology was simply a matter of
national/imperial propaganda:
"Official theology strives
to articulate the transcending features of a divinity [Asshur] who,
until the time of Sennacherib (704-681 B.C.E.), never had a
genealogy or mythology. The translation of the
Enlil theology imported from Nippur, the beginnings of which must
have occurred already during the time of Shamshi-Adad I (1813-1781
B.C.E.), was elaborated during the time of Tukulti-Ninurta I
(1233-1197 B.C.E.) and under Sennacherib and ultimately resulted
in the change of his consort. Indeed, in some respects Sennacherib
transformed Assur into a more tangible entity. Providing him with
the features of a pater
familias by taking Zababa as his son, he integrates him into
the network of the divine world by ordering the rewriting of
Enuma Elish with Assur as the primary actor instead of
Marduk. This latter act may be read as an
attempt to declare Assur's supremacy over both the Assyrian and
the Babylonian gods." [ OT:RCRM, 180f; "Divine Agency and
Astralization of the Gods in Ancient Mesopotamia", Beate
Pongratz-Leisten]
Indeed, the myths were typically
LATER than the cult rituals, and even later symbolic,
mythological explanations of the rituals were probably just a
'guess' by the ancient scholars:
"It will be seen that in
all the works, except VAT 8917 where comparison is
unproductive, some of the myths are later than the rituals. Therefore
it is absolutely certain that the myths did not
originally belong to the rituals, and the rituals did
not originally mean the myths. Since
some of the myths are older it could be argued that originally
the rituals had mythological meanings different from the myths
which require a late date, and that the names of the
protagonists were changed to suit different theological
conditions. Nevertheless,
the point remains that in the myth and ritual works many
of the myths originated
later than and independently of the
rituals. [HI:MAMEW,166]
"It is possible that the
use of symbolism in the present texts owed something to the
fact that symbolism was used in interpreting dreams. Despite
the existence of an ancient manual of dream interpretation
there are few clear examples. Techniques used in interpreting
omens may also be relevant. While these were certainly part of
the general intellectual background, it is more likely that
the uses of symbolism here were inspired by actual use of
symbolism in rituals. Examples are the libation representing
the blood of Dumuzi, the enactment of the defeat of Tiamat,
and perhaps the holding up of shields in a ritual to symbolise
victory. By analogy with examples such as these, thinkers
attributed symbolic meaning to ritual actions
which probably in normal practice had no such
significance.
[HI:MAMEW,168]
K:What would we know
of this had we no other source than the Bible?
The Bible knows that
the pagans worship national gods, certain of whom are
mentioned by name: Baal, Ashtoreth, Chemosh, Milcom, Bel,
Nebo, Amon, etc. But it is remarkable that not a single
biblical passage hints at the natural or mythological
qualities of any of these named gods. Had we only the Bible, we
should know nothing of the real nature of the "gods of the
nations." In a few isolated
passages the pagans are said to worship spirits and demons,
but these are anonymous, whereas what we know to have been
mythological gods are, in the Bible, mere names. Not a trace
remains of the rich
store of popular myths associated with these names. [OT:TROI, 8-9]
Tank: This is easily recognized as
an argument from silence. Since the Bible does not discuss the
mythologies of the pagan, then they obviously did not know these
mythologies (under the assumption that they WOULD have
discussed--even in satire--the content of the myths).
But we have already seen that this
was both irrelevant (i.e. the common Israelite and even common
ANE'er wouldn’t have known much of the 'embarrassing' content
of the myths) and superfluous (i.e. the attack was
multi-pronged already).
Solomon had the worship of idols in
Jerusalem, and subsequent kings had Baal and Ashtoreth. But did even the
Judahite elite know the myths of those other (but minor) Gods? We have seen
elsewhere that the 'standard mythologies' of the scholars (in
cuneiform) we not even in major circulation then (see
https://Christianthinktank.com/gilgy09.html on the possible
influence of ANE flood traditions on the bible, for a
discussion of the distribution/use of the scholarly-only
language at the time of Shlomo).
Israel did not have enough contact
with the Nebo-crowd to know any of the scholarly myths, and
Milcom and Chemosh actually HAD no developed or 'embarrassing' mythology. Most of
the gods just 'borrowed' stories from the others.
The dominant conquering god of the
time (Assur) did not even HAVE a mythology or genealogy to
attack!
"And
last, this appears in Ashurbanipal's (668-627 B.C.E.) hymn to
Assur: "the exceedingly great one, prince of the gods, the
omniscient, venerable, surpassing, the Enlil of the gods, he
who decrees the fates . . . whose pronouncement is feared,
whose command is far-reaching [and], like the writing on the
celestial firmament, does not miss its appointed time." What
is particularly striking in these theological statements
is Sennacherib's emphasis on Assur as a self-creator (banu
ramnisu) from whom all other gods emanate. There is no
ultimate genealogical link between him and the physical
features of the cosmos as there is in the case
of Marduk in Enuma Elish, who ultimately descends from the
fresh water and saltwater ocean. … Official
theology
strives to articulate the transcending features of a
divinity who, until the time of Sennacherib (704-681
B.C.E.), never had a genealogy or mythology.
" [ OT:RCRM, 180f; "Divine Agency and Astralization of the
Gods in Ancient Mesopotamia", Beate Pongratz-Leisten]
Baal and Ashtoreh had mythologies
(known from Ugarit) but it was the social aberrations of the
rituals that the prophets went after anyway. Morally
embarrassing moments from the lives of Baal and his consort
were things to be EMULATED(!) by the worshippers--without
shame! No use mentioning those fertility rites and such--very
counter productive!
And as for pagan worship of demons
and spirits--this was part of Israel's problem too. They
obviously sacrificed to 'goat idols' in the desert (Lev 17.7
and Deut 32.17), and the cult of the dead was a problem in
Israel from its beginning… Lampooning
would have done no good--even direct confrontation by the
prophets did not help…
Again, there probably were no
'popular' myths--meaning the 'populace'. The most any commoner
knew about the gods from the public (ANE) rituals would have
been about the 'war victory' of one god over another. Other
than promiscuity (since it was apparently referenced in the
'popular' idol worship of Israel), not much other would have
been known by the populace.
K[OT:TROI, 8-9]: The
Bible has a great deal to say about the image cult that was
associated with the named gods. But if the god is not
understood to be a living, natural power, or a mythological
person who dwells in, or is symbolized by, the image, it is
evident that the image worship is conceived to be nothing but
fetishism.
[OT:TROI, 8-9]
Tank: Actually, it doesn’t say a
'great deal', but what it does say, it says over and over and
over again. The whole prophetic critique started at the
tangible idol and 'moved upward' to the true criteria of a
'god'. It challenged the very notion of the 'living, natural
power' thing:
Israelite:
"Look at your silly idol--it is nothing but a block of wood"
Pagan
(or more likely, pagan-ish Israelite): "No its not!--it has a
living, natural power or mythological or astral being living
inside it!"
Israelite:
"Prove it--have it do something god-like! Have it predict the
future, interpret the past, or do ANYTHING--either good or ill".
If it 'acts lifeless', then there is nothing to your claim that it
is indwelt by something living."
This is an attack on the entire
system--not just on the theology of idols!
K [OT:TROI, 9-10]: Biblical
writers
are also aware of the pagans' belief that their idols have
the power to act. The pagans worship and sacrifice to idols
hoping to receive benefit and aid from them. …We have now arrived
at the limit of the Bible's knowledge of the nature of pagan
belief. We find no clear conception of the roles the gods play
in nature and in the life of man. No
cognizance is taken of their mythological features. The named gods are
characterized only by the nations that worship them:
"Ashtoreth, god of the Sidonians," "Milcom, the abomination of
the Ammonites," "Chemosh, the abomination of Moab," and so
forth. No god is ever styled according to his function or
place in the pantheon, as so often occurs in the literatures
of Egypt, Mesopotamia, and Canaan. Nor is the sexual
differentiation of the gods ever alluded to; gods and
goddesses are both comprised under the masculine rubric ^elohim (e.g.,
"Ashtoreth, the god of [^elohe] the
Sidonians"), there being, in fact, no word in biblical Hebrew
for "goddess." [OT:TROI, 9-10]
Tank: There are several
comments/pushbacks which can be made here:
One: In the literature of the ANE,
it is only the scholarly literature that describes any 'pantheon
placement' of the deities. Even the royal inscriptions by
conquering kings (e.g. Sennacherib) --when describing the gods of
the nations they were conquering--never mention anything more than
'I took their gods as booty' or 'I burned their gods in whom they
trusted'. And when
Mesha notes his victory over Israel and his taking of the vessels
of YHWH, there is no description of YHWH at all.
Two: There really wasn't a pan-ANE
pantheon in which to put the gods of the immediately surrounding
nations (unlike perhaps Babylon?). Chemosh, Baal, and Milcom were
national gods unrelated to each other. The myths do not really
have them interacting at even a literary level. The closest we
have is the relationship of Baal and his consort Ashtor/Istar, but
they ARE mentioned together in the bible in that role. So, you
cannot require the biblical authors to make something up.
Three: As for the roles that gods
play, there is a very definite attack on that, at least for the
main pagan deities who tempted Israel. Baal was the god of weather
and rain, and the Psalmist has YHWH usurp his position as 'rider
on the clouds' (Ps 68.4). And the drought and challenge of Elijah
(I Kings 17-18),was a deliberate attack on Baal's assumed power
over rain:
"The policies and
actions of Ahab and Jezebel are intended to promote Baal as
the national deity of Israel in place of Yahweh. The dispute
championed by Elijah concerns which deity is king—which is
more powerful. In the Canaanite material available from
ancient literature (particularly the information provided by
the Ugaritic tablets), Baal is a god of lightning and storm,
and responsible for the fertility of the land. By withholding
rain, Yahweh is demonstrating the power of his kingship in the
very area of nature over which Baal is thought to have
jurisdiction. Announcing this beforehand to Ahab is the means
by which Yahweh’s kingship and power are being portrayed. If
Baal is the provider of rain and Yahweh announces that he will
withhold it, the contest is on. [Matthews, V. H., Chavalas, M.
W., & Walton, J. H. (2000). The IVP Bible background
commentary : Old Testament (electronic ed.) (1 Ki 17:1).
Downers Grove, IL: InterVarsity Press.]
And Astarte, as Baal's consort (or at
least one of them…), was the goddess of love and fertility.
And this was consistently pointed out as repulsive to YHWH:
"Baal, god of fertility
and the storm, was believed to be the son of Dagon, god of
grain. Ashtoreth, goddess of love and fertility, vied for
supremacy with Asherah, mother-goddess and consort of El (the
creator-god in the earlier Canaanite pantheon but now
displaced by Baal). The association of Baal, Asherah, and
Ashtoreth with fertility, particularly as expressed in
depraved sexual ritual at Canaanite shrines, made them
especially abominable in the Lord’s eyes." [EBC, at 1 Sam
7.3-4]
"The Canaanites believed
that the land regained its fertility because of the annual
mating of Baal and Anath. What better form could their own
religious activities take than that of imitating the sexual
behavior of their chief deities? Hence there was always a
pronounced orgiastic element in Canaanite religion. … The
three goddesses—Athtarat (Astarte or Ashtaroth in the OT, Dt
1:4, KJV Astaroth; Jgs 2:13), Anath (appearing in the OT in
the name of the town Anathoth and as Shamgar’s progenitor),
and Athirat (Asherah in the OT)—presented an intricate set of
relationships. Astarte was the same as Ashtar or Venus, the
evening star. Anath’s original character is uncertain. Athirat
was primarily goddess of the sea and the wife of El. She was
also called Elat, the feminine form of El. All three goddesses
were concerned mainly with sex and war. Their primary function
was to have sexual relations with Baal on a continual yearly
cycle, yet they never lost their “virginity”; they were “the
great goddesses who conceive but do not bear.” Ironically, the
goddesses were considered sacred prostitutes and as such were
called the “holy ones.” Idols representing the goddesses were
often nude and sometimes had exaggerated sexual features. In
what circumstances early cultic prostitution was practiced is
a matter of some debate, but there is no doubt that both male
and female temple prostitutes were used in the cult of
Canaanite religion." [Elwell,
W. A., & Beitzel, B. J. (1988). Baker encyclopedia of the
Bible (412). Grand Rapids, Mich.: Baker Book House.]
The role of this 'fertility couple'
(or 'fertility group'!) is consistently denied by the biblical prophets. It
is YHWH alone who gives the land its produce, who alone gives
rain and grain, who alone causes the herd to grow, who alone
blesses Israel with her children. Emulation of the pagan
theo-sexual myths on the part of Israel is both
known and condemned. The bible is very
much aware of the 'mythology' of the Baal-consort(s) pairings!
Four: The absence of a female form
of el/elohim means nothing, since the Hebrew phrase baalim
and ashtarot (gods and goddesses) includes both
male and female terms. [Of course, references to the 'Queen of
Heaven' are counter-instances as well.] Instead of a generalized,
feminized version of El (like there is no female version of 'Baal'
either), the bible uses a more specific and more deliberate term--ashtarot. This is parallel
to other ANE usage:
"In
Phoenician countries she was the female counterpart of Baal,
and was no doubt worshiped with him by those Hebrews who at
times became his devotees. This is proved by the fact that
Baalim and Ashtaroth are used several times (Judges x. 6; I
Sam. vii. 4, xii. 10)
like the Assyrian "ilani u ishtarati" for "gods and
goddesses." [Jewish Encyclopedia]
"To put
way the foreign gods and goddesses means to reject all rivals
to God (Ps. 16:2, 4; cf. Judg. 10:16). The phrase the foreign
gods (’ĕlōhê hannēkār; see Judg. 10:16; Jer. 5:19; Deut.
31:16) and goddesses (hā‘aštārôt) make a merismus
referring to the totality of idols. The latter term (lit.,
“the Astartes”) with the article is used as a generalized
term for “goddesses.”
.. [footnote here: 'Note
that Akk.
ištaru “goddess,” plural ištarātu “goddesses,” often
appears in parallel with ilu “god”;
see CAD, I-J, pp. 272–73.']; also on 1 Sam. 12:10, 31:10."
[Tsumura, D. (2007). The First Book of Samuel. The New
International Commentary on the Old Testament (231). Grand
Rapids, MI: Wm. B. Eerdmans Publishing Co.]
"the
Baals and Astartes. “Baal” (baʿal, “Lord”) was
the chief epithet of the great Canaanite storm god
Haddu/Hadad, and “Astarte” (*ʿaštart, Greek astartē; Masoretic
ʿaštōret instead of *ʿašteret is probably a deliberate
misvocalization to suggest bōšet, “shame”) was the name of the
greatest of the Canaanite goddesses. The plurals refer to the
several local cults of Baal and Astarte, or rather
of gods and goddesses in general, since Baal and Astarte
can be regarded as typical names for
(illicit) male and female deities in general." [McCarter, P.
K., Jr. (2008). I Samuel: A new translation with introduction,
notes and commentary (143). New Haven; London: Yale University
Press.
Fifth: As we have pointed out
before, the major deities of the pagans were rarely involved by
the common folk. This can also be seen in the anti-idol passages
in the OT, where specific gods are mentioned, but they are
'second tier' (or lower) gods without any real mythologies.
·
Is 28:15ff refers to mwt
as Death (probably Mot)
·
Is 57, Jer 32, and Zeph 1
refer to Molech
·
Is 65 refers to a
pig-based offering ritual to the gods Gad (a Phoenician god of
good fortune) and Meni (unknown)
·
Zeph and Jer speak of the
Queen of Heaven often.
·
Hos 14.4 contains either a
reference to Ashur or to Assyria
·
Amos 5.26 refers to two
minor astral deities from Mesopotamia, Sakkud (Saturn) and
Sikkuth (unknown).
Sixth: And the same can be said
for the biblical witness to the gods of the people transported
into Samaria in 2 Kings 2:30f:
But every
nation still made gods of its own and put them in the
shrines of the high places that the Samaritans had made,
every nation in the cities in which they lived. 30 The
men of Babylon made Succoth-benoth, the men of Cuth made
Nergal, the men of Hamath made Ashima, 31 and the
Avvites made Nibhaz and Tartak; and the Sepharvites burned
their children in the fire to Adrammelech and Anammelech,
the gods of Sepharvaim.
We know
next to nothing about these deities, and this shows how
'localized' common-folk religion was:
"The list of deities
worshiped by the new settlers is confusing because of our lack
of detailed information on them. Since many of them are
localized gods, they do not find their way into the stories of
the gods of the ANE and are thus obscure." [WBC]
"The
god names as preserved in MT do
not represent known divinities in the Aramaean
and/or Assyro-Babylonian pantheons. " [REF:ABC]
The
deity Succoth Benoth is not known from Mesopotamian sources.
Benoth may be Banitu (fem. “the creator”), often used as a
term for Ishtar. Nergal was the Mesopotamian god of plagues
and of the underworld. His principal cult center was in fact
at Cutha (twenty miles northeast of Babylon). Ashima is known
from an inscription from Teima in Arabia as well as from some
Aramaic personal names, but nothing is known about the deity.
The Avvites are now identified with the town of Awa (Ama,
Akkadian, Amatu in eastern Babylonia). Nibhaz and Tartak have
been identified with the Elamite deities Ibnahaza and Dirtaq
(Dakdadra). Adrammelech is thought to represent Addir-Melek.
Addir is a title meaning “mighty one” and is applied to both
Baal and Yahweh. Melek means king and would refer to the
divine king. Lastly, Anammelech is believed to represent an
assimilation of the Canaanite goddess, Anat (or her male
counterpart, An) with Melek (a title often applied to the West
Semitic deity Athtar)." [BBCOT]
"The
only deities in this list who are clearly known from other
sources are the West Semitic god Ashima and the Mesopotamian
god Nergal, who was an underworld god associated with famine,
drought, plague, and death and whose cult was centered in the
city of Cuthah. The combination Succoth Benoth alludes at
least to the goddess Banitu and possibly also to Sakkut
(Ninurta). Nibhaz and Tartak may be Elamite deities, while
Adrammelech and Anammelech may be Phoenician and Emarite gods
respectively." [ZIBBCOT]
Or it
might show how familiar Judah was with them, and therefore
could deliberately misspell them:
"Moreover
the various immigrants continued the worship of their own gods
in the places where they settled (v.29). Those from Babylonia
worshiped Succoth Benoth (v.30), probably a deliberate
scribal pun on the Babylonian Sarpanitu,
Marduk’s wife. Those from Cuth continued their worship of
Nergal, the great chthonic deity and god of pestilence. …
Those from Syrian backgrounds worshiped the deities associated
with their cults. The Syrian gods that are recorded here are
likely all deliberate misspellings. Ashima is
possibly an abbreviated form of the goddess Malkat Shemayin or
the Canaanite Asherah (cf. Amos 8:14 NIV mg.). Some have
suggested a connection with the late Syrian goddess Sima or
with the well-known Phoenician god Eshmun. Nibhaz (v.31) is
otherwise unknown, the most usual conjecture being that it is
a corruption of the word for altar, now deified. Tartak is
possibly a miswriting of Atargatis, the familiar Syrian
goddess. Adrammelech and Anammelech are similar corrupt names
probably representing Canaanite forms of the important
Phoenician deities Baal and an, the masculine form of Anat,
known from Phoenician and Ugaritic names. [EBC]
So,
Israel
did
know the names of the pagan
gods that were in their immediate 'temptation zone'. But these
are lessor gods, some even unknown to us altogether.
K[OT:TROI, 13-14]: A
large part of biblical literature is dedicated to the battle
against idolatry, striving
to expose its absurdity and discredit it in the eyes of
its believers.
Tank: I am not sure this is the
proper nuance for the biblical record. From an emphasis
perspective, the battle is first
and foremost against covenant
disloyalty and covenant disobedience. Granted, this
disobedience is expressed most vividly (and most frequently) as
disobedience to the First Commandment against idolatry, but it is
more
often expressed in terms of rebellion, stubbornness,
disobedience, 'harlotry', and faithlessness.
Idols are first
of all portrayed as an expression of covenant
disloyalty (e.g. Golden Calf), then
as destructive (i.e. a cause for God's covenant
discipline in Judges), then
as useless/powerless (e.g. Elijah and the
YHWH-vs-Baal contest), and only then as
absurd (Classical prophets). The 'premier' book of idolatry is the
book of Judges, and it has no passages/messages about
absurdity--only about rebellion, unfaithfulness, and stubbornness.
The book's theme is in 2.11f:
And the people of Israel did what was evil in the
sight of the LORD and served the Baals. 12 And they
abandoned the LORD, the God of their
fathers, who
had brought them out of the land of Egypt. They
went after other gods, from among the gods of the peoples
who were around them, and bowed down to them. And they
provoked the LORD to anger. 13 They abandoned the LORD and served the Baals and
the Ashtaroth. 14 So the anger of the LORD was kindled
against Israel, and he gave them over to plunderers, who
plundered them. And he sold them into the hand of their
surrounding enemies, so that they could no longer withstand
their enemies. 15 Whenever they marched out, the hand of the
LORD was against them for harm, as the LORD had warned, and
as the LORD had sworn to them. And they were in terrible
distress. 16 Then the LORD raised up judges, who saved them
out of the hand of those who plundered them. 17 Yet they did
not listen to their judges, for they
whored after other gods and bowed down to them.
They soon turned aside from the way in which their fathers
had walked, who had obeyed the commandments of the LORD, and
they did not do so. 18 Whenever the LORD raised up judges
for them, the LORD was with the judge, and he saved them
from the hand of their enemies all the days of the judge.
For the LORD was moved to pity by their groaning because of
those who afflicted and oppressed them. 19 But whenever the
judge died, they turned back and were more corrupt than
their fathers,
going after other gods,
serving them and bowing down to them. They did not drop any
of their practices or their stubborn ways. (Jdg 2:11–19).
And the first prophetic message is
given in 6:7ff, and it is about disobedience in the face of
God's powerful actions on Israel's behalf:
When the people of Israel cried out to the LORD on
account of the Midianites, 8 the LORD sent a prophet to the
people of Israel. And he said to them, “Thus says the LORD,
the God of Israel: I led you up from Egypt and brought you
out of the house of bondage. 9 And I delivered you from the hand of the
Egyptians and from the hand of all who oppressed you,
and drove them out before you and gave you their land. 10
And I said to you, ‘I am the LORD your God; you shall not
fear the gods of the Amorites in whose land you dwell.’ But
you have not obeyed my voice.” (Jdg 6:7–10).
Indeed, even the absurdity passages
are really about the uselessness and powerlessness of the
images. The critique is not as theological (e.g. a piece of wood cannot turn
into a divine being) as it is evidential (e.g. your wooden statue offers no
evidence that it is anything more than just a piece of dead
wood) or practical (e.g. your wooden statue cannot help
you any--since it cannot produce any effects in history, but
is dependent totally upon you for any of its actions).
So the 'absurdity' comment is
overstated, imo. And even the 'discrediting' word seems a
stretch. Most of the biblical attacks on idolatry are NOT
arguments against the 'logic' of idolatry, but instead are
simple 'thou shalt not' statements. Stop. Desist. I will
discipline you. This is wrong. This is corrupt. This is
breaking the covenant. The 'discrediting' aspects are minimal
at best, and are in the 'powerlessness' category. YHWH
has demonstrated His power via Exodus , Conquest, and
the Davidic kingdom--the pagan gods have demonstrated
nothing. As in the Judges passage, God
invokes the 'audit trail of salvation history'--not some
theological argument against the idols. Only late in the
biblical record do we see any attention given to the images
themselves (as opposed to the gods per
se in Judges and 2 Kings).
Additionally, we should note that
Israel is represented as being (a) idolatrous from DAY ONE;
and being (b) aware of the false gods of the nations around
them. Let's look
at these in reverse order:
Israel was aware of the false gods of the nations
around them.
This can be seen by the appeals of
Joshua just prior to the Conquest of Palestine (Joshua 24):
“Now therefore fear the LORD and serve him in
sincerity and in faithfulness. Put
away the gods that your fathers served beyond the
River and in Egypt, and serve the LORD. 15 And if it
is evil in your eyes to serve the LORD, choose this day whom
you will serve, whether the gods your fathers served in the
region beyond the River, or the gods of the Amorites
in whose land you dwell. But as for me and my house, we will
serve the LORD." (Jos 24:14–15).
And in the condemnation of the author
of Judges:
The people of Israel again did what was evil in the
sight of the LORD and served the Baals and the Ashtaroth,
the gods of Syria,
the gods of Sidon, the
gods of Moab, the gods of the Ammonites,
and the gods of the Philistines.
And they forsook the LORD and did not serve him.
(Jdg 10:6–7).
And the people of Israel did what was evil in the
sight of the LORD and served the Baals.
12 And they abandoned the LORD, the God of their fathers,
who had brought them out of the land of Egypt. They went
after other gods, from
among the gods of the peoples who were around them,
and bowed down to them. And they provoked the LORD to anger.
13 They abandoned the LORD and served
the Baals and the Ashtaroth. (Jdg
2:11–13).
And Israel was idolatrous -- with these deities --
from Day ONE. They were never 'monotheistic' before the
Return from Exile (and maybe not even for some time after this).
This can be seen from the numerous narratives in which the
descendants of Jacob/Israel are
commanded to 'put away' these gods (e.g. Jacob, Joshua, Samuel),
and in the prophetic critiques in which they are castigated for
holding on to these gods--in spite of the prohibitions of the
First Commandment (Ezek).
The passage about Jacob,
and the clear indication that these 'gods' are 'figurines' and
can be buried:
Put away the foreign gods that are among you and
purify yourselves and change your garments. 3 Then let us
arise and go up to Bethel, so that I may make there an altar
to the God who answers me in the day of my distress and has
been with me wherever I have gone.” 4 So
they gave to Jacob all the foreign gods that they had,
and the rings that were in their ears. Jacob
hid/buried them under the terebinth
tree that was near Shechem. (Ge 35:2–4).
"Commentators have been
intrigued by Jacob’s insistence that the people surrender
their gods to Jacob, and that he
buried them under a terebinth or oak tree in Shechem. He
does not grind them to powder, as did Moses with the
golden calf, but rather he buries them.
Undoubtedly this is the most crucial of his directives,
indicated by the fact that v. 4 recounts only what Jacob did
with the gods. … What is the significance of burying the gods?
… The best parallel to Jacob’s actions seems to be that of Joshua,
who (also at Shechem) commanded the elders to “put away the
gods [wehāsîrû ʾeṯ-ʾĕlōhîm] that your
fathers served” (Josh. 24:14). The presence of such “other
gods” will be a barrier preventing legitimate service of
Yahweh. The language of Jacob also matches that of Samuel,
who calls Israel to the ancient covenant ritual of renouncing
foreign gods (hāsîrû ʾeṯ-ʾĕlōhê hannēḵār, 1
Sam. 7:3ff.). … A similar situation is probably in view in
Gen. 35. Exactly who or what these strange gods are is
unclear, but they must include the teraphim Rachel stole from
her father’s house (ch. 31) [NICOT, Gen 35.2-4]
"To complete his vows
there had to be a sanctifying procedure (35:2–5). Jacob made
the family remove all household idols, the foreign gods they
had. God
permits no rivals; he does not allow images or magical
charms. In Bethel, only the
Lord was to be their God. All
this getting rid of idols and washing and changing clothes was
thorough; and it was instructive
for subsequent Israelites who would also need such
consecration when they came into the land
(see Josh 5:1–9), especially when they went to the house of
God. After burying the idols and the earrings associated with
pagan worship, Jacob and his family left Shechem and set out
for Bethel. (cf. 34:25–29). [Ross, A., & John Oswalt.
(2008). Cornerstone biblical commentary, Vol.1: Genesis,
Exodus (199–200). Carol Stream, IL: Tyndale House Publishers.]
We have already referred to the Joshua
passage, but here is the reference to the actual
idols/figurines (and this is after the Exodus and the 40 year
Wilderness Sojourn!):
"The interesting point
is that Israel is charged
with false worship not only in the time of their
ancestors, but also in the time of their stay in Egypt.
The presupposition appears to be that Israel has never yet
served Yahweh correctly. They have merely cried, to him in
time of need (cf. v 7). Israel is in the new land. The new
land presents them with a new life style. The land has known a
life style worshiping Baal and El and the other gods and
goddesses for many centuries. On the other hand, Israel has a
history of worship, worship connected with the gods of the
patriarchs and the gods of Egypt. Over against this history,
stands the quite brief history of God’s actions for Israel.
[WBC, Joshua 24.14ff]
"It is hard to imagine
that the Israelites would still be worshiping idols after they
had experienced so many of the Lord’s great miracles and
victories. While Achan’s disobedience could not be tolerated
for a moment, this sin had not been challenged until now.
Joshua called the people to give undivided loyalty to the Lord
as the only way to experience his presence and blessing in the
future. For “the gods your forefathers served beyond the
River,” see the comment on v.2. The
prophet Ezekiel also mentions Israel’s unfaithfulness in
Egypt (20:7; 23:3, 8). There is no
explicit reference to the worship of Egyptian idols in the
narratives of the Exodus, though Moses
did question whether the Israelites were acquainted with
the God of their fathers (Exod 3:13).
[verse 15] Joshua was calling Israel to honesty and
commitment. He wanted them to show singleness of heart. He
wanted them to be honest with themselves and declare their
allegiance. Though Joshua said, “Choose for yourselves,” he
did not intend to encourage idolatry. He was confident that
the very thought of making a commitment to an idol would be so
abhorrent to them that they would take a stand against all
such worship. … The fertility cult of the Amorites with its
many corrupt and immoral practices held a special appeal to
the Israelites, who were settling down to agricultural life
after so many years of wandering. This cult continued to be a
strong temptation for many years. [EBC, Josh 24.14ff]
"Service of the Lord is
meant to be exclusive service. It involves putting away the
gods whom your forefathers served (v. 2). The same demand is
made at other points in Israel’s history (Gen. 35:2; 1 Sam.
7:4). The
cultus of other deities is forbidden in much the same
way that in ancient Near Eastern treaties the vassal was
forbidden to have any other overlord
except the lord to whom he was bound in
treaty. This antithetical nature of Israel’s relationship to
the Lord must also be kept in mind when reading the laws of
the Pentateuch. Whatever resembled an alliance other than that
with the Lord, be it in manner of dress, sacrificial
practices, common mores, and the like, was forbidden. Some
things prohibited by law were not necessarily immoral when
viewed by themselves, but their connection with the cultus of
foreign gods rendered them unusable for Israel. A literal
application of these laws today may do them serious injustice.
… The
gods to be put away were served not only beyond the
Euphrates but also in Egypt. This
addition need not be considered suspect as do some. It is
true, in the earlier prophetic summary given in vv. 2–13, that
Egypt was the place where the people cried to the Lord and
were delivered. But
the OT also presents another facet of the situation in
Ezek. 20:7; 23:3, 8. According to that viewpoint, Israel
is seen as having played the harlot while in Egypt. Thus there is no need to eliminate
this reference in order to streamline the account. Some form
of idolatry was found among Israel also during the desert
journey (cf. Lev. 17:7, which suggests goat [satyr?] worship).
[NICOT, Josh 24.14ff]
And here is the main passage from Ezekiel,
in which YHWH refers to the idolatry during the time in Egypt:
In the seventh year, in the fifth month, on the
tenth day of the month, certain of the elders of Israel came
to inquire of the LORD, and sat before me. 2 And the word of
the LORD came to me: 3 “Son of man, speak to the elders of
Israel, and say to them, Thus says the Lord GOD, Is it to
inquire of me that you come? As I live, declares the Lord
GOD, I will not be inquired of by you. 4 Will you judge
them, son of man, will you judge them? Let them know the
abominations of their fathers, 5 and say to them, Thus says
the Lord GOD: On the day when I chose Israel, I swore to the
offspring of the house of Jacob, making myself known to them
in the land of Egypt; I swore to them, saying, I am the LORD
your God. 6 On that day I swore to them that I would bring
them out of the land of Egypt into a land that I had
searched out for them, a land flowing with milk and honey,
the most glorious of all lands. 7 And I said to them, Cast away the detestable
things your eyes feast on, every one of you, and do
not defile yourselves with the idols of Egypt;
I am the LORD your God. 8 But they rebelled against me and
were not willing to listen to me. None
of them cast away the detestable things their eyes
feasted on, nor did they forsake the idols of Egypt. (Eze 20:1–8).
So, Israel was idolatrous at its
birth and after God's bringing them to the Promised Land. And
in Judges,
we see their pervasive idolatry (involving the identity of
gods and images) during the time of the Judges:
Yet you have forsaken me and served other gods;
therefore I will save you no more. 14 Go and cry out to the
gods whom you have chosen; let them save you in the time of
your distress.” 15 And the people of Israel said to the
LORD, “We have sinned; do to us whatever seems good to you.
Only please deliver us this day.” 16 So
they put away the foreign gods from among them and
served the LORD, and he became impatient over the misery of
Israel. (Jdg 10:13–16).
Israel demonstrated the
genuineness of her repentance by
throwing out the idols she
was worshiping and by being willing to return to God on his
terms. Persistent prayer finally brought an answer from
Israel’s compassionate Lord (cf. 2:18). [EBC, at Judg 10.13ff]
And then again, Samuel
confronted Israel with its treacherous worship
of foreign gods (under the rubric of Baalim and Ashtaroth):
And Samuel said to all the house of Israel, “If you
are returning to the LORD with all your heart, then put
away the foreign gods and the Ashtaroth from
among you and
direct your heart to the LORD and serve him only, and he
will deliver you out of the hand of the Philistines.” 4 So
the people of Israel put away the Baals and the Ashtaroth,
and they served the LORD only. (1 Sa
7:3–4).
Like Jacob (Gen 35:2, 4)
and Joshua (Josh 24:14, 23) before him, Samuel urged the
people to get rid of the foreign gods (idols) that they were
so prone to worship (cf. also Deut 12:3; Judg 10:16; 2
Chronicles 19:3; 33:15). “Foreign gods and … Ashtoreths” (v.3)
is essentially synonymous with “Baals and Ashtoreths” (v.4;
12:10, Judg 2:13; 10:6), as the people’s response in v.4 to
Samuel’s counsel in v.3 indicates. Baal and Ashtoreth (or,
alternatively, Asherah; cf. Judg 3:7) were the chief god and
goddess, respectively, in the Canaanite pantheon during this
period; so the phrases in vv.3–4 signify “gods and goddesses”
(cf. the corresponding Akkadian expression ilū u ištarātu). Local
manifestations (idols) of such deities in hundreds of
Canaanite towns and villages provide yet another
reason for the frequent use of their names in the
plural.
[EBC, at 1 Sam 7.4]
Put away their Baals and
Ashtoreths (7:4). Samuel’s exhortation in 7:3 and the people’s
response here is
indicative
of just how syncretistic Israelite worship had become
on the eve of the monarchy.
But this was not a
recent development. Already in the period of the judges,
forsaking Yahweh and serving the Baals and the
Ashtoreths was a recurrent problem
(Judg. 2:11–13 and passim). … Frequent biblical reference to
the Baals and Ashtoreths (as here) may reflect these local
manifestations but more likely “is simply a way of speaking
about Canaanite gods and goddesses generally.” Samuel’s
exhortation, then, is aimed at the Israelites’ ridding
themselves of all “foreign gods” (cf. 7:3). [ZIBBCOT, at 1 Sam
7.4]
The Israelites accepted
Samuel’s challenge and destroyed
the images of Baal and Ashtoreth, the
chief god and goddess of the Canaanite pantheon (7:4).
[Vannoy, J. R. (2009). Cornerstone Biblical Commentary, Volume
4a: 1-2 Samuel (80). Carol Stream, IL: Tyndale House
Publishers.]
They might not have known all the
elite theology and mythology about these deities (assuming
they actually HAD a mythology different from the 'standard'
borrowed ones), but they had a solid practice of concrete
image/idol worship. None of these deities had created their
freedom from Egypt and none of them had brought them to the
Promised Land and Conquest, but they nonetheless were
idolatrous (at least in part) through all their history.
K [OT:TROI,
13-14]: When this material is examined it
appears (a) that
the gods, whom the pagans believe to inhabit heaven and earth,
are never said to be nonexistent;
Tank: As noted in the first
articles on this topic, the data on this is mixed.
There are enough passages that do state or strongly imply this,
from a varied range of literature:
To you it was shown that you might know that the
LORD, He is God; there is no other besides Him. .. Know
therefore today, and take it to your heart, that the LORD,
He is God in heaven above and on the earth below; there is
no other. (Dt
4:35, 39).
There is no one holy like the LORD, Indeed, there is
no one besides You, Nor is there any rock like our God.
(1 Sa 2:2).
For all the gods of the peoples are worthless idols,
but the LORD made the heavens. (Ps 96:5;
KD: "All the elohim, i.e., gods, of the peoples are אֱלִילִים (from the
negative אַל),
nothings and good-for-nothings, unreal and useless.").
Thus says the LORD, the King of Israel and his Redeemer,
the LORD of hosts:
“I am
the first and I am the last;
besides me there is no god. (Is 44:6; WBC: "This
verse with its counterpart in v 8d states the essential core of
Israelite faith. Israel had to listen and assent to this in order
to enter into covenant with Yahweh (Exod 20:2–4 and Deut 6). So
now she must affirm that Yahweh alone is God; he is unique. There
is nothing and no one with which to compare him (…). This
singularity applies to all time, first and last. Idol cults rose
and fell, as that period of Babylonian history showed. But Yahweh
stands above and beyond the cyclical waves of popular acclaim."
And NICOT: "The message that this royal Redeemer wants to impart
is that there is no one who can even be compared to him. It is not
merely that he is the greatest of the gods, but that in comparison
to him, there is no other god. Whatever the gods may be, they are
not in the same category as the Lord. ")
But the bible is also very clear that
there ARE supernatural beings in existence--they are just not
'gods' properly speaking.
"Some psalms indicate
that in the heavenly realm, divine (supernatural) beings do
exist but are inferior in every way to Israel’s God, Yahweh,
who exists in a class of his own (see comments on 29:1; 82:1;
86:8; 89:5; 95:3). Hence, they are not really “gods” worthy of
worship as the other nations understand them." [ZIBBC at Ps
46.10]
They stirred him to jealousy with strange gods; with
abominations they provoked him to anger. They sacrificed to
demons that were no gods, to gods they had never known, to
new gods that had come recently, whom your fathers
had never dreaded. You
were unmindful of the Rock that bore you, and you forgot the
God who gave you birth. (Dt 32:16–18).
"This verse disparages
the gods Israel worshiped. It does not argue that Israel
worshiped nonexistent beings, mere statues, but that it
worshiped nondivine beings, beings that lack effective power
and are unworthy of worship. … demons
Rather, “spirits.” Shed
is used in Akkadian for minor protective spirits. The point is
that the beings Israel worshiped are mere spirits, not gods.
Compare Psalm 106:36–38. … no-gods
Beings called “gods” (see the next colon) but undeservedly,
pseudo-gods. Compare “non-sons,” “no-gods,” “no-folk” in
verses 5 and 21. [Tigay, J. H. (1996). Deuteronomy. The JPS
Torah commentary (306). Philadelphia: Jewish Publication
Society.]
"sacrifice
to demons. This word for demon is used
elsewhere in the Old Testament only in Psalm 106:37, but it is
a well-known type of spirit/demon (shedu) in Mesopotamia,
where it describes a protective guardian mostly concerned with
the individual’s health and welfare. It is not the name of a
deity, but a category of being (like cherub would be in the
Old Testament). A shedu could destroy one’s health just as
easily as it could protect it, so sacrifices to keep it
placated were advisable.
[Matthews, V. H., Chavalas, M. W., & Walton, J. H.
(2000). The IVP Bible background commentary : Old Testament
(electronic ed.) (Dt 32:17). Downers Grove, IL: InterVarsity
Press.]
Interestingly, the similar passage in
Psalm 106:
They sacrificed their sons and their daughters to
the demons; they poured out innocent blood,
the blood of their sons and daughters, whom they
sacrificed to the idols of Canaan, and the land was polluted
with blood. (Ps 106:37–38)
identifies these demons with the idols of Canaan,
supporting the idea that the idolatry in the anti-idol
passages refers to common-folk idols of lessor 'deities'
rather than the gods of mythology.
"The unusual word
translated “demons” (plural of šēd; elsewhere only in Deut.
32:17) is related to an Akkadian word (šēdu) that refers to
protective or malevolent spirits (see the sidebar “Demons in
the Old Testament”). These were usually lesser, personal, or
household gods that played a subservient role in Mesopotamian
religion, sometimes translated “genie.” An Assyrian hymn to
the goddess Nanaya refers to them as her subordinate servants,
although some were imagined to be monsters of the underworld.
If these connotations held for usage of the Hebrew word, then
the psalmist is amplifying the tragedy, implying that these
“gods” to which the Israelites sacrificed their children were
nothing more than inferior inhabitants of the supernatural
realm." [Walton, J. H. (2009). Zondervan Illustrated Bible
Backgrounds Commentary (Old Testament) Volume 5: The Minor
Prophets, Job, Psalms, Proverbs, Ecclesiastes, Song of Songs
(414–415). Grand Rapids, MI: Zondervan.]
So the bible does not deny the
existence of sub-deities (of the nations), but it does deny
that the gods of the nations are 'real' gods (as opposed to
angels or demons). They have no competencies that qualify them
as gods:
"The
gods of the ancient Near East were not capable of
controlling the destiny of the world without help.
In Mesopotamia there existed the “tablets of destiny,” texts
which contained the destinies of all things (including the
gods) in the universe. Whoever controlled these tablets
controlled fate. Occasionally these tablets came into the
“wrong hands,” and chaos ensued. Some
gods, including Enki, wore sorcerer’s hats, showing that
they had the ability to control and predict the future, but only by way of spells
and incantations. Conversely,
Yahweh controlled all things without resort to superficial
means of tablets or spells (see comment on 14:26–27)." [REF:BBC,
at Is 46.10]
K: (b) that nowhere
is the belief in myths or their telling prohibited;
Tank: Well, I think Exodus
23:13 might count as such a prohibition--if you
couldn’t actually 'say' their names, that pretty well kills it in
an oral culture:
"Pay
attention to all that I have said to you, and make
no mention of the names of other gods, nor let it be
heard on your lips. "
"The prohibition on
mentioning the names of pagan gods, although seemingly
intrusive, is actually quite relevant since the rest of the
section deals with the celebrations of the seasonal cycle,
which in the pagan world were invariably accompanied by magical
rites aimed at propitiating
divine powers and enlisting their aid in the regeneration of
the soil, the ripening of the crops, and the fecundity of the
herds and flocks. Such cults must have been very attractive to
the Israelites. Hence the need to commence the section by outlawing
the invocation of pagan gods. "
[Sarna, N. M. (1991). Exodus. The JPS Torah commentary (144).
Philadelphia: Jewish Publication Society.]
"In making sacrifices
and participating in everyday activities like plowing or
building a house, it was common practice in the ancient Near
East to
invoke the name of a god to bless
their actions. To prevent the Israelites from practicing
polytheism, it was necessary
to ban the use of the names of other gods or to
acknowledge their existence (see 20:3). Only Yahweh could be
called upon for help and blessing." [Matthews, V. H.,
Chavalas, M. W., & Walton, J. H. (2000). The IVP Bible
background commentary : Old Testament (electronic ed.) (Ex
23:13). Downers Grove, IL: InterVarsity Press.]
And this prohibition found its way
into the practice of the Psalmist, so it wasn't simply a
'scribal elite' position:
The sorrows of those who run after another god shall
multiply;
their drink offerings of blood I will not pour out or take
their names on my lips.
(Ps 16.4)
The Holy Bible : English standard
version. 2001 (Ps 16:4). Wheaton: Standard Bible Society.
And the actual wording of the First
Commandment seems to rule out belief in 'standard' mythologies
of the day:
"first
commandment. When the text says that there
should be no other god “before me,” it does not refer to
others having a higher position than Yahweh. The introduction
in verse 2 has already indicated as a preexisting assumption
that Yahweh is their God. The phrase “before me” means “in my
presence” and therefore prohibits other gods from being
considered to be in the presence of Yahweh. This prohibits several concepts that were a
standard part of ancient beliefs. Most
religions of that day had a pantheon, a divine assembly that
ruled the realm of the gods, the supernatural, and,
ultimately, the human world. There would typically be a deity
who was designated head of the pantheon, and he, like the
other gods, would have at least one consort (female partner).
This commandment forbids Israel to think in these terms. Yahweh
is not the head of a pantheon, and he does not have a
consort—there are no gods in his presence.
The only divine assembly that is legitimate for their thinking
is made up of angels
(as in 1 Kings 22:19–20), not gods. This
commandment also then effectively bans much mythology
that deals with the interactions of the gods with one
another." [Matthews, V. H., Chavalas, M. W.,
& Walton, J. H. (2000). The IVP Bible background
commentary : Old Testament (electronic ed.) (Ex 20:17).
Downers Grove, IL: InterVarsity Press.]
"This command,
therefore, warns against violating the covenant by recognizing
in any manner or form what other peoples accept as
deities.
[Sarna, N. M. (1991). Exodus. The JPS Torah commentary
(109). Philadelphia: Jewish Publication Society.]
Additionally, we should note that
Jewish interpretive tradition on Ex 22.28(27) would
not actually allow such a literary device,
even though we do not know how early this tradition developed.
For example, Bruce (NICNT) notes in his discussion of the
Ephesian riot in Act 19 that:
"Jewish interpretative
tradition read Ex. 22:28a (cf. p. 426) as a prohibition
of scurrilous attacks on pagan divinities (cf.
Josephus, Ant.
4.207; Ap. 2.237; Philo, Life
of Moses 2.205; Special
Laws 1.53).
Three of the passages he cites are:
“Let no one blaspheme
gods whom other cities believe in, nor rob foreign temples,
nor take a treasure that has been consecrated to some god."
[Josephus, Ant
4.207]
"Now I have no mind to
make an inquiry into the laws of other nations; for the custom
of our country is to keep our own laws, but not to accuse the
laws of others. And indeed, our
legislator hath expressly forbidden us to laugh at and
revile those that are esteemed gods by other people,
on account of the very name of God ascribed to them."
[Josephus, Ap
2.237]
"Moreover, he also
enjoins his people that, after they have given the proselytes
an equal share in all their laws, and privileges, and
immunities, on their forsaking the pride of their fathers and
forefathers, they must not give a license to their jealous
language and unbridled tongues, blaspheming
those beings whom the other body looks upon as gods, lest
the proselytes should be exasperated at such treatment,
and in return utter impious language against the true and holy
God; for from ignorance of the difference between them, and by
reason of their having from their infancy learnt to look upon
what was false as if it had been true, and having been bred up
with it, they would be likely to err." [Philo, Special
Laws 1.53]
K: (c) that no
biblical writer utilizes mythological motifs in his polemic;
(d) that the sole argument advanced against pagan religion is
that it is a fetishistic worship of "wood and stone."
Tank: We have already discussed
these points in detail.
K: The Bible conceives
of idolatry as the belief that divine and magical powers
inhere in certain natural or man-made objects and that man can
activate these powers through fixed rituals. These objects,
upon which magical rituals are performed, are "the gods of the
nations." The
Bible does not conceive the powers as personal beings who
dwell in the idols; the idol is not a habitation of the
god, it is the god himself. Hence the
oft-repeated biblical stigmatization of the pagan gods as
"wood and stone," "silver and gold."
Tank: We have already noted
extensively that the pagan identified the image with the god, even
to the point of calling the wood or the metal the 'flesh of the
god'. This is not mere 'indwelling' , but is transubstantiation or
fusion.
K: Hence also its
sole polemical argument that idolatry is the senseless
deification of wood and stone images. We may, perhaps,
say that the Bible sees in paganism only its lowest level, the
level of mana-beliefs.
Tank: Again, this is appropriate
for the likely audience of common
folk Israel. Paganism probably was at this lowest
level for the vast majority of the populace. The widespread use of
spells, divination, household images, cakes in the form of the
Queen of Heaven, offerings to the dead, and religious emblems on
seals give the real story of how un-sophisticated (relative to the
literary myths) popular practice was.
But we should also remember that we
saw that the prophets had a multi-pronged attack on the pagan
gods (as used by Israelites), and not
just the satirical one on the idols.
K [OT:TROI,
13-14]: This view finds clear expression in
the prophetic polemics against idolatry. Literary prophecy
brought the religion of YHWH to its climax. Chapter upon
chapter records denunciations hurled at apostate Israel for
their straying after the gods of the nations. If
ever there were a struggle with pagan myths and mythological
conceptions of deity, we should expect to find its traces
here. But we search in vain: not one word have the prophets
for mythological beliefs, not once do they repudiate them.
Not only do they fail to brand the pagan gods as demons or
satyrs, they fail even clearly to deny their existence. In
short, the prophets ignore what we know to be authentic
paganism. Their whole condemnation revolves around the taunt
of fetishism. [OT:TROI, 13-14]
Tank: This is still an argument
from silence, and still is subject to the criticisms already
mentioned (e.g., irrelevance of the mythology to the common
folk, focus on powerlessness of the gods not their 'silliness',
and the more central issues of fidelity to the faithful God of
the Exodus and covenant). The Israelites (as well as most pagan
ANE'ers of the populace) would have KNOWN that they gods they
were worshipping were 'lower gods'--the 'big' gods were for the
elite. It wouldn’t have made any difference to them to have
styled their idols as 'spirits' or 'goat idols' or 'guardian
spirits'--that's what they were LOOKING FOR.
The
prophets are only ignoring what the ELITE of the day thought
'authentic paganism' was. And the elite --whether Israelite or
not--were not the target of (most of) the prophetic attacks on
idolatry.
The
corrupt kings of Israel and Judah may have led the people into
idolatry (but probably not), but when Jeremiah and Ezekiel are
talking, it is the family unit and commoners they are talking
to.
And,
strictly speaking, the
bible DOES connect 'demons' with the pagan gods (at
least of the surrounding nations), in the passages in Deut and
the Psalms, which we have already looked at. The sacrifices to
'new gods' were to 'demons', and 'new gods' would have been a
reference to 'newly adopted' (not 'newly invented') gods--the
gods of Egypt, Canaan, 'beyond the River', and Transjordan.
So, it DOES
brand 'other gods' as 'demons', and as such cannot
explicitly deny their existence. They
can--and DO--deny that these
demon-gods are not rivals to the One
and Only YHWH, Creator of Heaven and Earth (cf. Deut 32. 39: ‘See now that I, even
I, am he, and there is no god beside me; I kill and I make
alive; I wound and I heal;
and there is none that can deliver out of my hand',
and the JPS commentary remark:
"Israel’s punishment by the Lord and the inability of
its pseudo-gods to protect it should finally make it realize
that the Lord alone is the only effective divine being, the
only true God.")
K [OT:TROI,
15-16]: Jeremiah speaks of idolatry more than
all his predecessors. He mentions anonymous "other gods"
(11:10) who are impotent (11:12), whom Israel knew not (19:4);
these he represents as the gods of foreign lands (16:13). It
has been asserted that Jeremiah acknowledged the existence of
other gods, objecting only to their worship in Israel. But
Jeremiah amply sets forth his conception of pagan religion: it
is the worship of wood and stone (2:27) or
the host of heaven (8:2). The "other
gods" are not the mythological beings of authentic
paganism, nor even demons, but the handiwork of men (1:16),
"stone and wood" (3:9), "graven images and strange
vanities" (8:19), "no-gods" (2:11; 5:7), and so forth. On
the day when the nations repent of the sin of idolatry they
will say, "Our fathers inherited naught but lies, vanity and
things wherein there is no profit. Shall a man make for
himself gods, they being no gods?" (16:19 f.). When men stop
worshiping fetishistic "no-gods" idolatry shall come to an
end. This conception of pagan religion is expressed most
clearly and emphatically in 10:1-16 (cf. 51:15-19).
Tank: Several comments are
appropriate here:
One. Jeremiah would not be ABLE to
'name' all the gods of the Mesopotamian canon, if he wanted
to--there were literally thousands of deities.
Two. He does mention the
most-relevant gods for his audience: Baal, Chemosh, Milcom,
Bel/Marduk, and a few unknown, 'lower' deities (as noted earlier).
Three. He shows familiarity with
the same image-events the common Mesopotamian would have known:
the transport-called-'exile' of a god. The common ANE'er would
have only/mostly encountered the high myths in the various public
parades of the idols (most of the rituals were private,
priest-only or elite-only affairs), which were victory
celebrations of one god over another. Conversely, they would be
familiar with the 'explanations' by the elite when a god
'abandoned them', by 'allowing' itself to be captured by a
conquering nation. Jeremiah reflects this understanding in his
descriptions of Chemosh going into exile (e.g., 48.7) and Milcom
going into exile (e.g., 49.3). He knows that Bel is the epithet of
Marduk, and that 'images' and 'idols' can feel shame and disgrace
(50.2)
Four. The fact that Jeremiah
acknowledges that idol can also be of 'the host of heaven'
(admitted by K above) proves that pagan religion was not JUST
about images. And the several pagan practices mentioned elsewhere
in Jeremiah (e.g. Queen of Heaven; sun-moon-stars) shows his
variety of conception, reflecting the practices of his audience.
Five. Jeremiah's frequent mention
of the folly and uselessness of images is just a reflection of
that the 'popular' view of his audience was. We saw that they
identified (strongly) the image with the god--our notions of a god
'indwelling but not fusing with the material' was simply foreign
to them. Gods were material, not spirits per se. They had bodies
of different materials: light, celestial bodies, wood-stone-metal.
There were no 'disembodied gods' in the strict sense of the word,
and attacks on images thus WERE attacks on gods.
Six. If the bible portrays the
wood/stone 'divinities' as the works of human hand (deflating
their importance), it also
portrays the celestial/astral bodies as the works of YHWH's
hand (deflating their importance and/or claim to
power). Consistently, the bible ascribes the creation of the sun,
moon, and stars (and 'host of heaven' references) to the action of
Israel's God. To
assert His creative and management control OVER THEM is both a
repudiation of a false religion that worshipped
these luminary 'creatures' and at the same time, functions as a
semi-sardonic 'dig' at those beliefs. These passages can be called
'anti-mythological',
since they attack the very myths themselves. They do
not try to 'one-up' those myths, but rather assert
that they are groundless, given the creative ultimacy of YHWH and
the derivative nature of the creature.
This can be seen in passages from the
Pentateuch to Psalms to the Prophets. Here are a couple of
such passages:
And God said, “Let there be lights in the expanse of
the heavens to separate the day from the night. And let them
be for signs and for seasons, and for days and years, 15 and
let them be lights in the expanse of the heavens to give
light upon the earth.” And it was so. 16 And God made the
two great lights—the greater light to rule the day and the
lesser light to rule the night—and the stars. 17 And God set
them in the expanse of the heavens to give light on the
earth, 18 to rule over the day and over the night, and to
separate the light from the darkness. (Ge
1:14–18).
"Few commentators deny
that this whole chapter has a strong antimythical thrust. Perhaps in no other
section—except the sixth day—does this polemic appear so
bluntly as it does here. It is sufficient to recall the proliferation of
astral deities in most Mediterranean religions: the
sun, the moon, and the stars are divine.
As such they are autonomous bodies. Around each of them focus
various kinds of religious cults and devotees. In the light of
this emphasis Gen. 1:14ff. is saying that
these luminaries are not eternal; they are created, not
to be served but to serve. That is the
mandate under which they function. (16–18) The author’s polemical
concerns continue in these
verses as indicated, first of all, by his choice of
terminology. He
uses the unusual expression the greater luminary instead
of the normal word for sun—šemeš—of which he undoubtedly
was aware. In the same way he opts for the lesser
luminary instead of the familiar yārēaḥ, “moon.”
The reason for this choice of terms may be due
to the fact that these words—which are very similar in other
Semitic languages—are the
names of divinities. Thus this text
is a deliberate
attempt to reject out of hand any apotheosizing of the
luminaries, by ignoring the concrete terms and using a
word that speaks of their function.
Second, the antimythical thrust of this section is
indicated
by the order in
which
the luminaries are listed: sun, moon, stars. This order
contrasts with the order in Enuma Elish, in which priority is
given to the stars, following which Marduk organizes the
calendar and fixes the polestar. … In fact, Enuma
Elish does not record the creation of these
lights, for they are “great gods.” They are simply placed in
their cosmic positions as constellations (stars) or instructed
by Marduk (moon and sun). It is significant that in Gen. 1 the
reference to the stars, which are so prominent in pagan
cosmogonies, is touched on so briefly and quite
anticlimactically." [Hamilton, V. P. (1990). The Book of
Genesis. Chapters 1-17. The New International Commentary on
the Old Testament (127–128). Grand Rapids, MI: Wm. B. Eerdmans
Publishing Co.]
"Let there
be lights This pronouncement
corresponds to verse 3, “Let there be light.” The emergence of
vegetation prior to the existence of the sun, the studied
anonymity of these luminaries, and the unusually detailed
description have the
common purpose of emphasizing that sun, moon, and stars are
not divinities, as they were universally thought to be;
rather,
they are simply the creations of God,
who assigned them the function of regulating the life rhythms of
the universe. With regard to the particulars, apart from the
alternating cycle of day and night, there is some uncertainty as
to interpretation. … signs for the set times Hebrew ʾotot and
moʿadim are here treated as hendiadys, a single thought expressed
by two words. The “set times” are then specified as “the days and
the years.” It is also possible to take ʾotot as the general term
meaning “time determinant,” a gauge by which “fixed times”
(moʿadim) such as new moons, festivals, and the like are
determined, as well as the days and the years….(16). Here the
general term “luminaries” is more precisely defined.
Significantly, no particular role is assigned to the stars,
which are not further discussed. This
silence constitutes
a tacit repudiation of astrology. Jeremiah
10:2 reads: “Thus said the LORD: / Do not learn to go the way of
the nations, / And do not be dismayed by portents in the sky; /
Let the nations be dismayed by them!”" [Sarna, N. M. (1989).
Genesis. The JPS Torah commentary (9–10). Philadelphia: Jewish
Publication Society.]
"The creation of the
sun, moon, and stars is described at much greater length than
anything save the creation of man. The description is also
quite repetitive. The fullness of the description suggests
that the creation of the heavenly bodies held a special
significance for the author… The
most obvious reason for the detail in the fourth day’s
description is the importance of the astral bodies
in ancient Near Eastern thought. In
neighboring cultures, the sun and the moon were some
of the most important gods in the pantheon,
and the stars were often credited with controlling human
destiny (cf. Hasel, AUSS 10 [1972] 12–15). So there is probably a polemic
thrust behind Genesis’ treatment of the theme.
This comes out in several ways. First, the sun, moon, and
stars are
created
by God: they are creatures, not gods.
And with creatureliness goes transience; unlike the Hittite
sun-god, they are not “from eternity.” Second,
the sun and moon are not given their usual Hebrew names here, which
might suggest an identification with Shamash the sun
god or Yarih the moon god.
Instead they are simply called “the larger” and “the smaller
light.” Third, the sun and moon are simply assigned the role
of lighting the earth and ruling the day and night, as the
surrogates of God. This
is quite a lowly function by ancient Near Eastern
standards, though Marduk does
something similar in appointing stations for the great gods in
EE 5.1–22. Finally, the stars,
widely worshiped and often regarded as controllers of human
destiny, are mentioned almost as an afterthought: they too are
merely creatures." [Wenham,
G. J. (2002). Vol. 1: Word Biblical Commentary : Genesis 1-15.
Word Biblical Commentary (21). Dallas: Word, Incorporated.]
“If there is found among you, within any of your
towns that the LORD your God is giving you, a man or woman
who does what is evil in the sight of the LORD your God, in
transgressing his covenant, 3 and has gone and served
other gods and worshiped them, or the sun or the moon or
any of the host of heaven, which I have
forbidden (Dt 17.2-3)
"The phrase “what is
evil" could also be translated as “the evil,” namely the great
transgression—violation of the first commandment not to
worship other gods; for in so doing they are “breaking his
covenant.” The wording of the law here, “they go and serve
other gods and bow down to them,” echoes what appears in the
Ten Commandments: “You shall have no other gods before me . .
. you shall not bow down to them and you shall not serve them”
(5:7–9). The
“sun, the moon, and all the host of the heavens” are
presented as the “other gods.” The
clause “that I did not command” appears in Jer 7:31; 19:5; and
32:35 in similar contexts dealing with idolatry, and does not
appear elsewhere in the book of Deuteronomy (L’Hour, Bib 44
[1963] 14). Tigay argues that the expression is a denial of
what others claimed to be true. In regard to the law in
question, then, the guilty party may have believed that such
worship of these particular “other gods” was proper. The
meaning then is a flat rejection of “any claim that God does
authorize the worship of certain other gods along with
Himself” (Tigay [1996] 162). [WBC, Deut 17]
"Specifically, the worship of
other gods consists of “bowing down to them” or “to the sun
or the moon or the stars of the sky” (v.3).
The reference to the sun or the moon certainly suggests that the
rendering “stars of the sky” accurately indicates physical
phenomena as the sun and moon do. This is not to say that the sun,
moon, and stars were not symbols of gods or even thought to be
gods by the nations round about.
Israel
was not to worship the sun, moon, and stars of the sky
either as physical entities or as representations of pagan
deities. In OT theology the sun,
moon, and stars along with other physical elements—as mountains
and seas—show
the glory of the Lord; but they are by no means idolatrous,
pantheistic, or animistic representations of the Lord
(Pss 8:3; 19:1; 148:3–6; Jer 10:10–13; see also Rom 1:20). [EBC,
Deut 17]
"astral worship.
The worship of the celestial bodies (sun, moon, planets, stars)
was common throughout the ancient Near East. One of the principal
gods of Assyria and Babylonia was a sun god (Shamash), and a moon
god (Thoth in Egypt; Sin in Mesopotamia; Yarah in Canaanite
religion) was widely worshiped. During most of their
history the Israelites would have been familiar with and
heavily influenced by Assyrian culture and religion
(see Deut 4:19; 2 Kings 21:1–7; 23:4–5). These forbidden practices continued to
be a source of condemnation during the Neo-Babylonian
period, as Israelites burned incense on altars placed on
the roofs of their houses to the “starry hosts”
(Jer 19:13). Because worship of the elements of nature diminished
Yahweh’s position as the sole power in creation, they were
outlawed. However, the popular nature of this type of worship
continues to appear in prophetic literature and in Job (see Job
31:26–28; 38:7). [BBCOT, at Dt 17.3]
He determines the number of the stars; he gives
to all of them their names.
(Ps 147:4)
"Against this elaborate
religious backdrop, the psalmist declares that Yahweh both
sets the position of the stars and names them. This
affirms his control and ownership of any heavenly object
that someone might be tempted to worship.
He is the only object of true worship and the only source of
help. [ZIBBCOT, Ps 147.4]
"Immediately reference
is made to the universal power of the God of Israel (vv. 4f.).
He is
the Lord of the constellations, which in the ancient
world were thought of as presiding over fate.
The authoritative voice of the Creator and Lord of the world
calls the stars by name. This calling is at the same time a
creative act and a proclamation
of the right of lordship (cf.
Isa. 40:26). [Kraus, H. (1993). A Continental Commentary:
Psalms 60-150 (557). Minneapolis, MN: Fortress Press.]
Lift up your eyes on high and see: who created
these? He who brings out their host by number, calling them
all by name, by the greatness of his might, and because he
is strong in power not one is missing. (Is
40:26).
"From the invitation to
compare the author moves, as he did in vv. 19 and 20, to a
possible comparison, here apparently the heavens. As mentioned
above, the
heavens are probably alluded to here because they were
supposed to be a visible representation of the gods. This
was true not only of Babylonian religion but also of
Canaanite, as indicated by the reports that the Israelites
sometimes succumbed to the temptation to worship “the host
of heaven” (2 K. 17:16; 21:3). Here the prophet argues
that far from being deities worthy of being worshiped,
the stars (implied by their host and numbers them) are
not even self-existent.
They are contingent creatures who come and go at the command
of the Lord as do sheep before a shepherd, or soldiers before
a general. Would we compare such as these to the one who
created them and rules them?
"Who created
these? He is the one who brings
forth their host by number; by name he calls them all. This
passage is describing God’s eternal, unchanging nature. host is a
military term, and this sense is heightened by the use of number.
So the general musters his troops. The daunting stars, wheeling
about the sky imperturbably, are really only the obedient minions
of one infinitely greater than they. To him they are not
numberless; more than that, he knows them each by name. In the ancient world, to
know the name of something was to know its essence, and
thereby have power over it. What is the
power and wisdom of one who knows each star by name? No wonder no
star dares to miss muster![NICOT, Is 40.26]
"The statement about
Yahveh’s creation and control of the celestial bodies serves
to wrap up the polemic against idolatry, appropriately
in view of the importance of astral worship and
astronomy in the intellectual and religious life of
Babylon. The subtext to
the invitation to consider these objects visible in the sky by day
and night, but especially by night, is the scrutiny of the heavens
by Babylonian sages, their naming of the constellations and stars,
and the calculations based on their movements that were thought to
control human destiny (cf. 47:13). The
prophet’s audience is urged to look up at these objects in
order to acknowledge Yahveh as its creator
and not to worship them (cf. Deut 4:19, using the same language).
[REF:ABC, Is 40.26]
"Verses 18–20 had
contrasted God with the idols that were all too common in
Babylonia.
Now
the same question introduces an implicit contrast with
the astral deities that
dominated Babylonia on religion (v.25). This
passage is anti-mythological; for it asserts that—far
from being deities in their own right—the heavenly
bodies are simply the creatures of the one Creator-God, who is also Israel’s Holy One. He
orders their pattern, knows each in its distinctiveness and
upholds them all in their being (v.26; of Col 1:17; Heb 1:3).
All this had, of course, been revealed to God’s people from
early times (cf. v.21) in the opening chapters of Genesis.
[EBC, Is 40.26]
He who made the Pleiades and Orion, and turns deep
darkness into the morning (Amos 5.8)
"Given the widespread
knowledge of the stars and the planets in both Mesopotamian
and Egyptian cultures, it was important for the biblical writers and
prophets to attribute these celestial bodies to Yahweh’s
creation (see Job 9:9).
Mesopotamian constellations included animal figures such as a goat
(Lyra) and snake (Hydra); objects such as an arrow (Sirius) and a
wagon (Big Dipper); and characters such as Anu (Orion). The most
popular of the constellations was Pleiades, often portrayed on
seals even in Palestine and Syria. [BBCOT, at Amos 5.8]
You shall take up Sikkuth your king, and Kiyyun your
star-god—your images
that you made for yourselves, 27 and I will send you into
exile beyond Damascus,” says the LORD, whose name is the God
of hosts. (Am 5:26–27).
"Each of the gods is an
astral deity—images
that you made
for yourselves—but
“your
king” is involved; perhaps the god Saturn (= El) is regarded
as ultimate king of the nation. Perhaps the king is Jeroboam,
the king of Israel, who is involved in the cult of these
images.
These gods are said to have been made by the Israelites,
and perhaps it was in conjunction with the ratification of
a treaty of friendship with Assyria, a logical
step for Jeroboam, who had scores to settle with the Aramaeans
and who could threaten their rear by a treaty with a weak but
potentially threatening Assyria. Such an alliance would suit
Israel and Jeroboam before the emergence of Tiglath-pileser
and the renewal of Assyrian power….Both gods, if that is the
right interpretation of the names, are astral deities and
represent
the same heavenly body—Saturn.
This god was Kronos = Saturn in Greco-Roman mythology, the
father of the reigning king of the gods: Zeus-Jupiter. In
Canaanite religion these gods are, respectively, El and
Baal. Both deities play a significant role in
Israelite religion, especially in the north during this period
(ninth-eighth centuries). … Nevertheless, it is possible that
the inclusion of these deities in the pantheon of Israel was
regarded by the king and priests as a
small accommodation in the interest of beneficial
relations with a foreign power. Such an
arrangement was not viewed as a compromise of their religion,
for the gods in question could be regarded as equivalent to
El, or as attributes or local manifestations of the same chief
God. With other images being used, the bull calves for El (=
Yahweh) and the female goddess ensconced in Samaria, the
addition of these two would not change the essential picture
particularly, though the whole development was bound to shock
and affront true prophets. [Andersen, F. I., & Freedman,
D. N. (2008). Amos: A new translation with introduction and
commentary (533–535). New Haven; London: Yale University
Press.]
shrine of
the king. Because of a mistaken
belief that the god Sikkuth was not introduced until after the
Assyrian conquest (see 2 Kings 17:30), there has been an attempt
to emend the Hebrew so that the text is read “shrine” or “abode”
of the king. In
fact, Amos’s statement probably reflects the degree of
cultural influence exercised by Aramean merchants and other
travelers on the Israelites. Sikkuth or dSAG.KUD
is associated with Ninurta in Ugaritic sources and specifically
with the planet Saturn. … 5:26. star
of
your god. Since both of the gods mentioned in
this verse are associated with the planet Saturn, the phrase “star
of your god” is actually a reference to the people’s worship of astral
deities. Sacred processions paraded the images and
symbols of these gods through the city streets to their shrines,
where sacrifices, sacred dancing and other cultic activities would
take place. Amos,
however, is satirizing these practices. Instead of
simply describing what has been occurring, he now predicts a
“final” procession, but this time the people carry these idols
with them into exile (compare the carrying of
burdensome idols in Is 46:1). [BBCOT, at Amos 5.26f]
"Clearly the prophet
denounces idolatry, but its exact form is uncertain. One
common view, reflected in the NIV text, is that the prophet
condemns various cult objects: shrine, pedestal, and star. Amos’s
contemporary Hosea also mentions various cultic
accoutrements that were revered by the Israelites and of
which they would soon be deprived (e.g., Hos. 3:4; 8:4–6).
Sometimes these were lifted up and paraded in the ancient
world, as illustrated in graphic art. This fits the general
context, though is not the easiest way to read the Hebrew
words. The other common view, reflected in the NIV footnote
and argued by many commentators, is that a
form of astral worship is condemned. The word
translated “shrine” is really “Sikkuth” and “pedestal” is
“Kaiwan,” corrupted forms of names for the god Saturn known
from various lists from Mesopotamia, Ebla, and Ugarit. This
implies that by this stage Israel had succumbed to the
worship of heavenly bodies, as did many of their neighbors
and as did Judah a century later (cf. Josiah’s
reforms, 2 Kings 23:5).
The fascinating--and informative for
our purposes--aspect of this Amos passage is that celestial /
astral deities were said to be present in the statues which
were being carried around! Just as we saw in the Mesopotamian
literature--where even celestial deities were said to be
'incarnated' in its images--so too did Israel's worship of
these beings manifest itself in gods which could be carried!:
"There are several
reasons for linking v 26 to v 27. It predicts something that
will happen when they go into exile. They
will carry their gods with them. This
reading is supported by the natural meaning of the
waw-consecutive used with the initial verb. Because the gods
in question are most probably Assyro-Babylonian astral
deities, they are probably a feature of contemporary worship
in Israel, already infected by influences from that quarter.
The association with Mesopotamia probably reflects common
unofficial cultural interchange, and we can speculate that
Israel was on friendly terms with Assyria in a time of open
warfare between Israel and Aram (cf. 2 Kgs 14:28ff.). When
they go into exile they will take with them the gods whom they
worshiped in Israel, and they will worship them in their new
homeland. [REF:ABC, Amos 5.25]
"But the significant
fault of the Israelites was not their presumptuous abuse of
the sacrificial system. It was their outright rejection of
Yahweh’s covenant via idolatry. Thus the wilderness continues
in v 26 as a paradigm of relative propriety compared to the
degenerate practices of Amos’ day. This contrast between the
orthodoxy of the wilderness era and the idolatry of the
settled era is also made, twice over, in Jer 2:2–8. Here,
specifically, two astral deities are described as
“carried” around, as idols, probably atop standards (cf.
ANEP, figs 305, 535) and
presumably as part of the pagan worship which has
pervaded the North under the influence of
admiration for Assyrian ways at least as early as the time
of Ahab (874–853 B.C.) and the days of Shalmaneser III
(859–824 B.C.) to whom Israel had paid tribute. The
worship of such idols is, in fact, silly because they are
simply human products, made by or for (…) humans. Amos’
contemporaries probably thought themselves quite sophisticated
in comparison to the ancient wilderness generation. But how
sophisticated can any group be who worships what their own
hands have made (cf. Isa 40:18–20; 41:22–24; Acts 7:41)? [WBC,
Amos 5.26f]
K: [OT:TROI,
15-16]: "In Ezekiel we do find what appears to
be an allusion to a foreign pagan myth: the lamenting of
Tammuz (8:14; cf. also Zech. 12:11, "the mourning of
Hadadrimmon"). Did
Ezekiel or his contemporaries know the myth of the death
of youthful Tammuz, the beloved of Ishtar? Or did they
know only the pagan rites that Ezekiel mentions? The mass
of worshipers, even among the pagan nations, had at times
only very dim notions of the mythological basis of their
rites. Did those "weeping women" know the Tammuz myth? Is
it certain that they were Israelites, and not rather pagan
priestesses of the royal cult (like the imported pagan
priests of Jezebel in an earlier age)? It is certain only
that Ezekiel (whom Gunkel believes "filled with mythological
material") never once argues against pagan mythology.
Despite the fact that he polemizes often and heatedly against
idolatry, he
has not a
word to say about the myths of Tammuz or any other
god, nor does he ever employ an
argument based on a mythological motif. He, too,
characterizes pagan religion as fetishism. His favorite
epithet for the gods is gillullm
(dung-pellets); Israel's silver and gold, out of
which they "made themselves their abominable images and
loathsome things," were their stumbling blocks (7:19 f.). In
chapters 16,20, and 23, the prophet describes Israel's
apostasy in detailed visions and allegories; Israel have made
"male
images" of gold and silver, made offerings to them, even
sacrificed to them their sons and daughters. They have
adopted the idol-worship of their neighbors throughout their
history, from the Egyptian sojourn onward. The imagery is
sensual and erotic; the dominant motif is the idol-images,
those illegitimate partners of Israel's harlotry, from which
the prophet readily passes to the lusty men of the foreign
nations—the panoplied soldiery—after whom Israel went
a-whoring also. Plastic imagery dominates; in fact, the
prophet is so involved with the idols that he ignores the gods
entirely. It is most remarkable that Ezekiel,
fascinated as he is by erotic symbolism, never once utilizes the sexual
themes of mythology. He is silent concerning the
strong erotic motif of the Tammuz myths. He uses the awkward
image of Israel playing the harlot with stocks and stones,
with gold and silver images. But he neglects the mythological store of themes
that could have furnished rich material for his imagination. Can
it be that Ezekiel knew the myths of the pagans in spite
of his failure to employ even one of their motifs in his
visions? We are not left to inferences. Ezekiel
has himself supplied an epitome of his view of the pagan gods:
to the elders of Israel he says, "You say, let us be like the
nations, like the
families of the countries to serve wood and
stone" (20:32). What the pagans worship, then, is nothing but
deified wood and stone. [OT:TROI, 15-16]
Tank: Several comments are appropriate here:
First, there is no need
for Ezekiel to delve into the 'erotic content' of the myths
because his point was only one of
adultery--Israel was unfaithful to her husband.
Whether unfaithfulness expresses itself in illegal union with a
neighbor or in the extremes of prostitution (and prostitution
without pay even), the issue is one of unfaithfulness, not
sexuality. More detail about the erotic elements in the stories of
Tammuz or others would have been a distraction (or additional
temptation!) in the argument. The elaborate--and moving--story in
chapter 16 sets the adultery in the context of God's recue,
enrichment, commitment and faithfulness.
Secondly, his 'ignoring the gods
entirely' is part of the point--Israel is focused on their idols
and local idolatrous practices, and not
on the mythologies or stories. K admits in this passage that even
the pagans had 'only dim notions' of the myths--why would we
expect the common Israelite to have any more?
Thirdly, the actual purpose of the
passages describing the idolatrous worship in the temple (e.g.
Tammuz, bowing to the east) was not actually focused on Israel,
but on Ezekiel himself. The abominations of both elders and
populace had a place in moving Ezekiel to further commitment and
understanding in his prophetic ministry: E.g., behold, when they come
out to you, and you see their ways and their deeds, you will
be consoled for the disaster that I have brought upon
Jerusalem, for all that I have brought upon it. 23 They will
console you, when you see their ways and their deeds, and you
shall know that I have not done without cause all that I have
done in it, declares the Lord GOD.” (Eze 14:22–23).
Fourthly, K is probably correct to
disagree with Gunkel that Ezy is full of 'mythological' material,
but should recognize that Ezy is
nonetheless full of 'pagan religious practices'.
From the soul-catching armwear of chapter 13 (Thus says
the Lord GOD: Woe to the women who sew magic bands upon all
wrists, and make veils for the heads of persons of every
stature, in the hunt for souls!) to the divination process
used by Nebuchadnezzar in 21.21 (For the
king of Babylon stands at the parting of the way, at the head
of the two ways, to use divination. He shakes the arrows; he
consults the teraphim; he looks at the liver.),
Ezek shows a great deal of detail about the day-to-day pagan
practices. But again, there is no need to go beyond what the
unfaithful Israelite populace are practicing--in their attempts to
'influence' the future. [Most of the practices, by the way, were
more in category of magic than religion, as they tried to
influence nature/future rather than celestial beings--who
themselves were subject to 'fate', as noted in Part 2.]
K [OT:TROI,
17]: Over and over again the prophet (Second
Isaiah) ridicules the belief that inanimate objects are gods.
Only when the nations perceive that a "block of wood" (vs. 19)
is not god will idolatry vanish. This
from a man who, so it is alleged, was thoroughly
acquainted with the polytheistic religion of his
environment and even employed mythological motifs in his
writing (51:9). And yet he has not
a word about the gods or their myths. It never occurred to him to contrast the
sublime God of Israel with the contentious,
lustful
deities of the pagans and to argue from this contrast that
the gods are vanity. If our author had but dipped into the
treasury of Babylonian myths, what
a mine of material he would have found for
his satires: gods who are born and die, who procreate, who
eat, drink, and sleep, who make war on one another, and
crowd like flies around the sacrifice. Here was an arsenal
which might have armed him to strike at the very heart of
paganism: the faith in mythological gods and goddesses and in
their dominion over the universe. And yet, in asserting his
God's claim, he can say only, "I am YHWH, that is my name, and
my glory I shall not give to another, nor my praise to idols"
(42:8)—"to idols," not to "a born god," "a dying god," "a
lustful god." YHWH evidently has no other
rivals beside the idols and the graven images. [OT:TROI, 17]
Tank: Although most of this
material we have already covered in the earlier parts of this
series, a few additional comments are appropriate here:
First, again, this is still an
argument from silence. And it is especially weakened by the other
prophetic arguments we have noted (other than lifeless statues)
against celestial gods and nature-bound gods.
Second, we should note
that--practically speaking--these characteristics of the pagan
deities were not
really perceived as weaknesses. Cruelty in warfare,
sexual prowess and promiscuity, procreation, and exhibition of
human-like behaviors were either valued (!) or taken as a sign of
'solidarity' between the gods and humans. It would not really
present an 'attack surface' for this situation.
Third, in the one case in the
prophetic narratives where 'human characteristics of gods' ARE the
object of prophetic ridicule (i.e. Elijah's taunts to the priests
of Baal on Mount Carmel), it is not the taunt that wins the day,
but rather divine action--in the form of fire from heaven--that
moves God's people to return (for some period, and at some level)
to their covenant Lord.
Fourth, the case of the gods
crowding around a sacrifice 'like flies' would not have been known
except for very, very
few scholars (see that section on OT Borrowing at
https://Christianthinktank.com/gilgy09.html ). The Israelite
populace would not have recognized this (or many of the other
mythological themes).
Five, we should note that most of
the sardonic/parody 'attacks' on idols occur in the narratives
of the Hebrew bible and in word-plays on names, not in the
prophetic corpus. We have already noted the YHWH versus Baal
contest of Elijah, but there are several narratives which portray
other gods as impotent. Consider this analysis of the event in
which Jacob collects/buries the household gods in Genesis 35:
"Commentators have been
intrigued by Jacob’s insistence that the people surrender
their gods to Jacob, and that he buried them under a terebinth
or oak tree in Shechem. He does not grind them to powder, as
did Moses with the golden calf, but rather he buries them.
Undoubtedly this is the most crucial of his directives,
indicated by the fact that v. 4 recounts only what Jacob did
with the gods. … Exactly who or what these strange gods are is
unclear, but they must include the teraphim Rachel stole from
her father’s house (ch. 31). The
parody on such gods continues
from ch. 31 into ch. 35. Such
gods may be stolen, sat on, stained with menstrual
blood, and now buried. The
verb used for the gods’ burial (and for the burial of the
jewelry) is ṭāman (see Exod. 2:12), rather than the more
common qāḇar. This verb choice may have no special
significance; however, when we recall that ṭāman is often used
to convey the idea of capturing by hiding a concealed trap (esp. in
the Psalms), the choice of the verb may be deliberate. Job
3:16 uses the root to refer to a miscarriage, literally, “a
hidden abortion” (nēp̄el ṭāmûn); perhaps some such
connotation is present here? Or
qāḇar may have been avoided lest the idea be conveyed
that the gods were given a (decent) burial.
[NICOT, Gen 35.2-4]
Or the Jehu story in 2 Kgs 9-10:
"The suggestion has also
been made that the entire Jehu account in 2 Kings 9–10 has
been written to evoke and to
parody the Baal-Anat cycle from Ugarit,
as a way of ridiculing the religious traditions of Israel’s
enemies. Specifically in relation to 2 Kings 9:30, just as
Anat adorns herself and puts on paint (snail dye) in the myth,
so too does Jezebel in the narrative. More generally, just as
Anat purges both valley and town in a bloodbath on behalf of
Baal, so too does Jehu purge Israel of Baal worship in a
bloodbath on behalf of Yahweh." [Walton, J. H. (2009).
Zondervan Illustrated Bible Backgrounds Commentary (Old
Testament) Volume 3: 1 & 2 Kings, 1 & 2 Chronicles,
Ezra, Nehemiah, Esther (151). Grand Rapids, MI: Zondervan.]
Even the Eden story:
"Given these
associations of snake, woman, and fertility goddess, given the
intense competition between the worship of Ashtoreth and
Yahweh in ancient Israel, we can see that the story of Eve and
the snake, in addition to other readings, is a
parody of Canaanite religion. For
didactically it says that any religion which claims that
through the worship of a lewd goddess and her reptilian
attribute we can become as gods is a lie. Wake up Israelites!
Here is the woman and the snake, the priestess of fertility in
her sacred grove, and what does she lead to? Immortal life?
Bliss? Never! Her actions lead to a curse, to expulsion, to
suffering, to alienation from God and to death." [Kissling, P.
J. (2004-). Genesis. The College Press NIV commentary.
(184–185). Joplin, Mo.: College Press Pub. Co.]
And word-plays:
“Baal-zebub” literally
translates to “Lord [Baal] of the flies.” This was a
deliberate change from “Baalzebul,” meaning “Baal the Prince,”
a parody
designed to be insulting. [Cabal, T., Brand,
C. O., Clendenen, E. R., Copan, P., Moreland, J., &
Powell, D. (2007). The Apologetics Study Bible: Real
Questions, Straight Answers, Stronger Faith (541). Nashville,
TN: Holman Bible Publishers., at 2 kings 1.2]
"This is the first
reference to Baal in Kings. Like Solomon (cf. 11:1), Ahab
takes a Sidonian wife and allows her to lead him and Israel
further into apostasy. Josephus records that Ethbaal (meaning
“Baal exists”) was also a priest of Astarte, perhaps
explaining Jezebel’s aggressive posture toward Canaanite
religion. The form of Jezebel’s name in the Hebrew text may
represent a parody.
The name originally meant, “Where is the Prince
[˒îzĕbūl]?” It is derived from the epic of Baal’s battle
with Mot (“death”). When Baal is defeated by Mot and is taken
to the underworld, the god of rain “neglects the furrow of his
tillage.” The search is made for Baal: “Where is the Prince,
Lord of Earth?” In the Hebrew rendering of Jezebel’s name,
“prince” (zĕbūl) appears to be vocalized as “dung” (zebel
signifies dung in Arabic; cf. 2 Kgs 9:37), surely representing
the author’s negative view of Israel’s Sidonian queen and her
influence on Israel. Idolatry in the northern kingdom of
Israel now takes the form of worshiping foreign gods." [Long,
J. C. (2002). 1 & 2 Kings. College Press NIV commentary.
(201–202). Joplin, Mo.: College Press Pub.]
"The resulting blessing
was materialistic. It included God’s love (˒hb, not ḥēsed as
in v. 12) and fruitfulness. First of all they would increase
as a people, in contrast to their original smallness (v. 7).
This would fulfill the creation blessing of Genesis 1 and 9.
Secondly, all their crops and livestock would experience
fertility (see on 6:11). All the necessities of life would be
provided and then some. This promise was crucial to Israel for
it emphasized that the destruction of the Canaanite fertility
gods would have no effect on Israel’s actual fertility. Those
false gods were totally powerless to influence fertility and
their demise would be meaningless. There is also ironic
satire here, for each of the Hebrew words used for the
different products were also names of Semitic deities.
The Israelites may or may not have understood the wordplay."
[Hall, G. H. (2000). Deuteronomy. The College Press NIV
commentary. (157). Joplin, Mo.: College Press Pub. Co., at
7.13]
Again, there is just no need for any
of the prophets to develop additional levels of satire or to
attack obscure myths in confronting an Israelite audience with
their heart-breaking and self-destructive infidelity to their
God.
K (OT:TROI, 18f): Does
the Bible portray pagan religion as mere fetishism because
the writers themselves disbelieved in the gods? If this were so, the writers
must have failed in their primary objective, which was to
undermine the faith of those who did believe in them. To this end, there
was no point in belaboring the fetish-argument to the entire
exclusion of the main
claim, that the gods were nonexistent. As a matter of
fact, it is abundantly
clear
that the writers naively attribute their own viewpoint to
the idolaters.
Tank comments:
First, there was no point in
attacking gods 'in absentia' when there were gods 'in residence'
(the idols) to attack. The common person so identified the idol
with the deity that --as we have seen--that to discredit one was
to discredit the other. If the
god-as-idol (tangible, visible) wasn't able to deliver--or
even act(!)--why would anybody believe that a god-as-vapor
(intangible, invisible, spirit) could do any better?
The attack was at the strongest point--NOT the weakest point. The
incarnate deities were powerless, so there was no point in relying
on disembodied and distance gods.
YHWH heaps sarcasm on the futility of
trusting such things, in the Song of Moses (Deut 32.36ff):
For the LORD will vindicate his people and have
compassion on his servants,
when he sees that their power is gone and there is none
remaining, bond or free.
Then he will
say, ‘Where are their gods, the rock in
which they took refuge,
who ate the
fat of their sacrifices
and drank the wine of their drink offering?
Let them rise up and
help you; let
them be your protection!
“ ‘See now that I, even I, am he, and there is no
god beside me;
I kill
and I make alive; I
wound and I heal;
and there is none that can deliver out of my hand.
Secondly, we have already seen
that the position taken in the prophetic corpus DID match that of
the common pagan Israelite and common pagan ANE'er anyway. There
was no 'naïve attribution'. There is a good chance that
Second Isaiah and (especially) Ezekiel knew more mythology than
they 'showed', but that they only represented what the popular
viewpoint was!
K [OT:TROI, 18f]: The
prophets look for the end of idolatry at the time when the
idolaters will come to understand that man cannot "make"
him gods, and that wood and stone cannot save. When
Sennacherib boasts of how he defeated the gods of the nations
(II Kings 18:33 ff.; 19:11 f. [Isa. 36:18 ff.; 37:12]), the
writer explains, "he cast them into the fire" (II Kings 19:18
[Isa. 37:19]). And Isaiah, too, ascribes this thinking to the
Assyrian: "As I did to Samaria and its idols, so shall I do to
Jerusalem and its images." The pagan fails to realize that
while the gods of the nations are "the handiwork of man, wood
and stone," Israel's God is a "living God" (II Kings 19:16, 18
[Isa. 37:17,19]). There is, of course, no hint that
Sennacherib ascribes his triumphs to the god Ashur who
triumphed over the gods of these nations.
Tank comments:
First, the biblical data is very
accurate in describing the perspective of Sennacherib, as seen in
the monumental inscriptions cited in Parts 1 & 2. Here are a
couple of them again:
"As for Ṣidqa, king of
Ashkelon, who had not submitted to my yoke — his
family gods, he
himself, his wife, his sons, his daughters, his brothers,
and (all the rest of) his descendants, I deported and brought him
to Assyria. [COS2, 2.119B]
"In my second campaign,
I marched quickly against Babylon which I was set upon
conquering. Like the onset of a storm I swept, (and) like a
fog I enveloped it. I laid siege to that city; with mines and
siege machines, I personally took it — the spoil of his mighty
men, small and great. I left no one. I filled the city squares
with their corpses. Shuzubu, king of Babylon, together with
his family and his [ ], I brought alive to my land. I handed
out the wealth of that city — silver, gold, precious stones,
property and goods — to my people and they made it their own.
My men took the
(images of the) gods who dwell there and smashed them.
They took their property and their wealth. Adad
and Shala, the gods of Ekallate, which
Marduk-nadin-ahhe, king of Babylon had taken and
carried off to Babylon during the reign of
Tiglath-pileser (I), king of Assyria, I brought out of
Babylon and returned them to their place in Ekallate. [COS2,
2.119E]
"I destroyed and tore
down and burned with fire the city (and) its houses, from its
foundations to its parapets. I tore out the inner and outer
walls, temples, the ziggurat of brick and earth, as many as
there were, and threw them into the Arahtu river. I dug canals
through the city and flooded its place with water, destroying
the structure of its foundation. I made its devastation
greater than that of “the Flood.” So that
in future days, the site of that city, its temples and
its gods, would not be identifiable, I
completely destroyed it with water and annihilated it like
inundated territory. [COS2, 2.119E]
The biblical descriptions are totally
consistent with this perspective, and are therefore fair
representations of Sennacherib's position.
Second, as for there not being any
mention of Sennacherib giving credit to Ashur for his victories
(by the biblical author), this is another argument from silence.
Apart from the occasional, almost stylized references Sennacherib
makes to Ashur in the inscriptions, most of the credit is given to
his own might, splendor, and power (as a weapon of Ashur, once).
Nations are afraid of him--not Ashur. Nations submit to him--not
to Ashur. He takes their gods as booty--not Ashur.
Third, Sennacherib actually 'gives
credit' to YHWH (not Ashur) in the biblical text (Is 36.10: Moreover,
is it without the LORD that I have come up against this land
to destroy it? The LORD said to me, Go up against this land
and destroy it.’ ”),
probably referring to reports he had heard in Assyria about
the prophecies against the Northern kingdom. He
knew about the religious reforms of Hezy (Isa 36.7 with 2 Kings
18.3ff), and prophets sometimes traveled to other countries for
prophetic ministry and were sometimes well known--or at least
their messages were (e.g. Elisha in 2 King 8.7f; Jonah to Nineveh;
Jeremiah was known to Nebuchadnezzar). The fact
that the prophets of the destruction of the northern kingdom
specifically ascribe the action of the Assyrian kings to YHWH
(not Ashur), shows that the theological interpretation
of these events was squarely in the 'sovereignty of YHWH'
category. Sennacherib does not say that Ashur commanded him, and
does not say the Ashur will give him Jerusalem. It is YHWH who
orders him to do so, and it is Sennacherib himself who will take
the city.
This is, of course, similar to the
case of Chemosh 'abandoning' his people Moab 'into' the hands
of Israel. Notice how the Mesha Stele does NOT attribute the
victory to YHWH, but to abandonment by the national deity
(like Sennacherib attributes the attach on Judah as the
judgment of YHWH, not Ashur):
"people
of Chemosh
That is, the Moabites—just as the Israelites are called
“the people of YHVH” (Exod. 15:16; Judg. 5:11). Chemosh was
the national deity of Moab (Judg. 11:24; 1 Kings 11:7). are
rendered Hebrew
natan, an active verb understood passively by Rashi. However,
Ramban’s literal translation “he rendered” is preferable, heightening
the irony in the poem whereby the god Chemosh willingly surrenders his
subjects. In the ancient Near East it was not
unknown for a nationwide disaster to be attributed to the decision
of the national deity. Once again, according to
Mesha
inscription 4–5, Chemosh is said to have made
such a decision: “Omri
… afflicted Moab for many days because Chemosh was angry
with his land.” So, too, the Assyrians
claimed that their invasion of Judah was willed by Israel’s
God (2 Kings 18:25). [Milgrom, J. (1990). Numbers. The JPS
Torah commentary (182). Philadelphia: Jewish Publication
Society. At 21.28]
[This usage of a threatened city's
god as a 'turncoat' is common in ancient military strategy.
Perhaps most famously done by the Romans, an 'oracle' from a
city's patron deity, giving control of the city over to the
attacking Romans, was very persuasive and very troubling to a
city's inhabitants! There is no reason to doubt that it could
have been used here as elsewhere in the ANE. Cf: "The
Hittite Proclamation of Anitta of Kushshar claims:
“Previously Uha, king of Zalpuwa, had carried off our
goddess [Halmashuit] … [Regarding the city Hattusha],
their goddess Halmashuit gave it over [to me], and I took
it at night by storm.” Cyrus made the same claim:
Neglecting worship led the gods to turn Babylon over to
him." [BBCOT at Is 36.10]]
K [OT:TROI, 18f]:
It may be suggested that the biblical polemic takes this form
because, in fact, the mass of people did have this fetishistic
concept of the idols, and it was urgently necessary to combat
it. Now there was, to be sure, a fetishistic side to paganism:
the cult was bound up with an image; the image was, in a
sense, the god. This consideration can explain why the
fetishistic argument plays an important part in the biblical
polemic; it cannot explain, however, the total absence of
polemic against the belief in living gods, which was, after
all, the root and heart of pagan religion. Greek thinkers in
their attacks upon the popular religion gave due attention to
its fetishistic aspect, but they did not permit this to
distract them from combating the popular myths. Nor did the
later Jewish and Christian polemics rest content with the
fetishistic argument only. And
yet we find that the Bible fails entirely to come to grips
with the essence of polytheism— the belief in gods.
Tank comments:
First, K admits that the 'popular
perspective' may indeed have been this image=god belief we
have seen evidenced throughout the ANE literature,
but re-asserts his argument from silence. But he seems to raise a
false dichotomy here: either the images were considered to be the
'living gods' or they were not. The truth--mentioned by K in the
'was, in a sense, the god' phrase--was MOSTLY the former. An
attack on the idol--as the fusion of god and material into a
'tertium quid' (third something)--was the same 'in a sense' as the
attack on the living god. The rare cases in which the latter
perspective shows up in the ANE literature is at the end of the
pen of elite scribes (and not uniformly within them even), and not
on the monuments of royalty or the prayers/votive offerings in the
temples.
Second, while there is evidence in
the elite writings of 'theological refinement' beyond image=god
thinking, this is not in
the realm of 'practical religion'. This level of
theological or mythological thinking was as
irrelevant to the common man then as it
seems to be in the West now. The theology of the creeds and even
the official 'doctrinal positions' of the various Christian
denominations is so rarely even understood by the laity, and even
less so is it a force of change in those lives. It is almost a
waste of breath and ink to argue 'theology' with many people today
(in cultures where persecution is not a factor, of course)--and
there is no reason to believe the common ANE'er or late-biblical
Israelite was any different. It is at the level of practical
belief--where the doctrine impacts the wallet or restricts
behavior or compels time and resource-consuming rituals--that we
live. It is there the prophets speak--into the ritual lives and
practices of those who held the idols to be worthy of such
behavior change.
Third, the 'root
and heart' of pagan religion was not
really the belief in living gods, but in the ultimacy of
'natural forces'. The gods were subject to
these forces themselves--they required
certain types of wood for their images, they had to cast spells
themselves, they were subject to 'fate'. These natural forces were
MORE ultimate and 'metaphysically prior' than the pagan gods, and
these forces are the target of much of the aniconic polemic in the
biblical corpus.
Kaufman knows this and explains this
in this book (p31ff):
"THE GODS AND
MATTER—Although the will
of the gods plays a significant part in the cosmogonies,
there is something that transcends it: the power of
matter, the innate nature of the primordial order.
The gods are conceived in the world-stuff, emerge out of it,
and are subject to its nature.
The god has a potent
mana, inherited from the primordial stuff through which he
acts. But
this power is regarded as inhering in the substance of the
god, not in his will or spirit. This becomes
evident from myths in which the god remains potent even after
his death—i.e., after he has ceased being a willing being and
has become mere lifeless substance. The various stories of
creation out of the corpses of gods and the widespread cult of
the graves of the gods are rooted in this concept. Moreover,
the god's mana belongs to everything given off by his body;
his tears, his spittle, his blood, his mutilated members, his
dung—all are represented as sources of life and creation.
The dependence of the gods
upon what lies outside them is embodied in
the common notion that they are in need of food and drink.
Corresponding to the theogony which tells how they were born out
of the primeval substance, this makes their
continued existence dependent upon the external matter they
take in. It is a kind of permanent "theogony."
Child-gods imbibe vigor from the breasts of goddesses. Certain
substances are often specified as the sources of divine
vitality: the Indian soma, the Germanic mead, the
Greek nectar and ambrosia. At times the gods have recourse to magical foods and drinks
that endow them with special powers, that heal
them of sickness, that protect them against evil magic,
that rejuvenate them, that act as aphrodisiacs, and so forth.
There are also magical
objects that the gods employ for their needs, and that are
considered the source of their power. Such
are the Babylonian "Tablets of Destiny," possession of which
confers supreme authority in heaven. The transfer of these
tablets, and with them supremacy, involves a shift in power, as
when Marduk takes them from Kingu, or when the Zu bird steals them
from Enlil. Again, Marduk arms himself with all sorts of potent
weapons before going out to battle Tiamat and her entourage.
Ishtar has a girdle with powers of fertility; in fact, all her
clothes seem to be magically charged; hence she must be stripped
of them before entering the domain of the underworld. Similarly,
Aphrodite has an aphrodisiacal girdle which Hera borrows to get
the better of Zeus. Hermes has a magic wand which gives happiness
and riches. Magic
seals, crystals, in which the future can be divined, magic
weapons to ward off evil, all these are standard features of
mythology the world over. They are a fundamental symbol of
paganism, bespeaking the idea that there is no supreme divine
will that governs all. The rule of the gods is
ultimately grounded on the mysterious forces that inhere in
matter, in a realm which lies outside of them.
THE GODS AND
NECESSITY—Necessity dominates the universe and the gods who
are part of it. Birth, procreation, growth, youth, age, death,
and the like—are innate properties of the world-stuff. The
fabulous wonderland of myth and magic is bound to necessity; even
the gods must bow to the inexorable decrees of fate.
It is this idea, as we
shall see further on, that lies at the bottom of the
Babylonian astrology which eventually permeated the whole of
the pagan world. In Hindu thought, it appears as rita—the
world order, the principle of pattern and regularity in all
phenomena. By rita, the rivers flow; the wheel of time runs by
it; the righteous man meditates on it; it is embodied in the
correct cult. The gods are sometimes called the lords of rita,
but they are also its servants, guardians, members of its
household. The Persians know this concept under the name asha.
With the Greeks, the ultimate arbiter is ananke (necessity) or
moira (fate). While the gods are spoken of as deciding
destinies, they in fact do no more than fulfil the decrees of
ananke. Thetis foretells to Achilles that he is destined to
die after Hector, but it is not Zeus who decides this. Zeus
merely weighs the fates of the two in the balance to learn
what is destined for them. Nor are the gods above ananke; the
transfer of authority from Uranus to Cronus and again to Zeus
is an irrevocable decree. Cronus must resort to swallowing up
his sons so that one of them might not depose him. Thetis is
fated to give birth to a son who will surpass his father; to
avert this, the gods marry her to the mortal Peleus. Again,
Uranus and Gaea tell Zeus that his wife, Metis, is destined to
bear wise children; the son she will have after Athena will
rule over gods and men. Zeus swallows Metis to forestall this
evil. Aeschylus utilizes this idea when he has Prometheus
threaten Zeus that his son, stronger than he, will dethrone
him through the decree of Ananke; for even
Zeus may not avoid what is destined. The Romans
called this sovereign decree fatum: similar notions are found
throughout the pagan world.
Another reflection of
the same concept is the belief that the gods and the world are
subject to fixed times and cycles. The course of birth,
growth, death, day and night, and the seasons are all
conceived as regulated by necessity. It is a widespread notion
that the world is destined to pass through various
predetermined stages before its destruction or renewal. The
gods have no control over this "natural" process; indeed,
their fate, too, is usually involved. Seneca,
speaking in the name of Berosus, says that the destruction of
the world will eventuate from a certain zodiacal configuration
which will bring on devastation by fire or water. Paganism
here approaches a scientific and mathematical conception of
the universe."
And yet
he does not seem to apply this to his critique of the
biblical critique, focusing only on the
satirical passages aimed at the issue of 'Matter'.
The biblical critique is thus on
target when it attacks such 'forces' and when it similarly
attacks celestial deities (as not being 'outside the system'
enough). There is no need to
attack the gods when you attack that to which they are
subject--the creation itself. When the
prophets explain that ONLY YHWH is truly outside the system,
that only He can create, and that only He can 'interrupt
fate', this
is an attack on the CORE of pagan belief.
The gods are merely actors with us on the stage of fate and
primeval matter--only YHWH is both outside the stage AND a
participant in it. His will 'is fate', and He is subject to no
force, no will, no power -- He is sovereign.
Fourth, in the case of the Greek
thinkers, K doesn’t actually give any references or citations to
support this, and we have already seen that the biblical attacks
on idolatry and pagan worship were in basic continuity with them.
Even if the Greek skeptical tradition did make fun of the mythic
stories, this was peripheral
to their main and central argument--which was the same as the
biblical one:
"I do not intend to
trace here the history of the critical attitude to sacred
images in Antiquity, but I should note that the dependence of the
god's forms on those of the people who make its images,
and the utter lifelessness of the matter of which the
images are made—that is, the arguments of Xenophanes and
Heraclitus—in fact became the central topoi of the
skeptical, critical tradition.
As I have said, it was mainly
the latter theme on which later critics
focused… Rejecting
the
god's image because it is a mere material object is a
central argument in the satirical literature, especially
in Hellenistic and Roman times. Ridicule and satire played
a major part in combating popular beliefs in sacred and
animated images. Making fun of the gods' statues lasted
throughout Antiquity, and in the course of the
centuries it assumed many forms. " [HI:ICON, 53]
Fifth, in the case of the Greek thinkers, even if there were satirical
attacks on the foibles of the deities, they were not in the record
until the OT biblical canon was closed.
All of the writers we surveyed in the first two parts of
this series did not lampoon the character or behavior of the
gods--they went after the idol issue. In
the Hellenistic and early Roman periods, the 'skeptics' may have
disbelieved, but they did not use satire in discussing the matter
(from Veyne, Did the
Greeks Believe in Their Myths) :
"Among the learned,
critical credulity, as it were, alternated with a global
skepticism and rubbed shoulders with the unreflecting
credulity of the less educated. These three attitudes
tolerated one another, and popular
credulity was not culturally devalued.
[HI:DGBM,54]
"Aristotle and Polybius,
so defiant when they are confronting Myth, did not believe in
the historicity of Theseus or Aeolus, king of the wind, out of
conformity or political calculation. Nor
did they seek to challenge myths, but only to rectify them.
[HI:DGBM,57]
Six, the Greek writers (before the Christian era) did
not really attack the gods but rather other elements, such as
oracles and legends. If a myth represented the
gods in an 'unworthy manner', it was the myth that was
mistaken, and not the belief in gods. The
myth was not made an object of satire--it was just 'corrected'.
"It is piety that keep
Pausanias from believing most of the legends he faithfully
assembles. We have to dissociate demythologization from
irreligion. At
this time, disbelief was recognized not in criticism of
myths but in criticism of oracles. Cicero,
Oenomaus, and Diogenianus are certainly not pious souls. By
heaping ridicule on oracles, they did not for an instant claim
to exonerate the gods." [HI:DGBM,98]
"Pausanias 8.3.6; at
this point the Greeks tell a myth about Zeus as Callisto's
lover, which is unworthy
of the majesty of the gods; it is no less
childish and mythological to believe that the gods transform
their lovers into stars." [HI;DGBM, 150, n179]
Seven, Greek thinkers in their
attacks on popular mythology (like the latter Christians) did not
actually argue against a 'belief in the gods' at all. Both Greek
and Christian apologists argued that the true gods or True God was
not represented fairly or accurately by them. It would be a
mistake, then, to compare the biblical writers with these later
writers in such a manner--these later arguments would not have
accomplished the goal of 'disbelief in gods', as Kaufman
envisioned it.
"We will observe the
same thing if we move from the heroic myths, which are the
only ones we have examined, to belief in gods in the strict
sense of the term. In Atheism in Pagan Antiquity, A. B.
Drachmann has shown that ancient
atheism did not so much deny the existence of the gods
as it criticized the popular idea of the deities.
It did not exclude a more philosophical conception of
divinity. In their own way, the Christians
went no further in their negation of the pagan gods. They
did not call the myths "vain fables" so much as term
them "unworthy conceptions." Since
they wished to put their god in place of the pagan gods, it is
possible to think that the whole project would first entail
showing that Zeus did not exist and then setting forth proofs
for the existence of God. This was not their program. They
seem less to censure the pagan gods for not existing than to
reproach them for not being good ones. They seem less hasty to
deny Zeus than to replace him with a king more worthy of
occupying the divine throne." [HI:DGBM, 113f]
Eight, there is a strong
probability that the pagans did not even believe these myths (at
least not the salacious ones!), so that attack on those parts
would have been off the mark. Veyne criticizes the early Christian
apologists for doing just this--about the Greek and Roman
myths--would it have been much different in the ANE?
"This is why the
apologetics of ancient Christianity leave such a strange
impression. It seems that, to establish God, it was enough to
banish the other gods. The desire was not so much to destroy
false ideas as to supplant them. Even where the Christians
seem to attack paganism on the subject of its veracity, they
do nothing of the sort. As we saw earlier,
they uselessly criticized the puerility and immorality
of mythological accounts in which the pagans had never
believed and that had nothing in
common with the elevated or sophisticated conception that
later paganism had of the divinity. " [HI:DGBM, 114]
Ninth, even when the Greek/Roman
writers attached 'unworthy conceptions' of their supreme being, it
was not actually with satire per se, but rather with simple
assertion or dismissal--just like the Biblical writers simply
assert the uniqueness of God ("There is no other"). Pliny the
Elder, writing in the Augustian age can display the folly of
popular religion, but it
is not in an effort to "enthrone a rival deity" nor
is it in a genre of mockery (like Isaiah)-merely elite dismissal:
"I consider it,
therefore, an indication of human weakness to inquire into the
figure and form of God. For whatever God be, if there be any
other God, and wherever he exists, he is all sense, all sight,
all hearing, all life, all mind, and all within himself. To believe that there are a number of Gods,
derived from the virtues and vices of man, as
Chastity, Concord, Understanding, Hope, Honour,
Clemency, and Fidelity; or, according to the opinion
of Democritus, that there are only two, Punishment and
Reward, indicates still greater folly. Human nature,
weak and frail as it is, mindful of its own infirmity,
has made these divisions, so
that every one might have recourse to that which he supposed
himself to stand more particularly in need of.
Hence we find different names employed by different
nations; the inferior deities are arranged in classes, and
diseases and plagues are deified, in
consequence of our anxious wish to propitiate them. It was
from this cause that a temple was dedicated to Fever, at the
public expense, on the Palatine Hill, and to Orbona, near the
Temple of the Lares, and that an altar was elected to Good
Fortune on the Esquiline. Hence we may understand how it comes
to pass that there is a greater population of the Celestials
than of human beings, since each individual makes a separate
God for himself, adopting his own Juno and his own Genius. And
there are nations who make Gods of certain animals, and even
certain obscene things, which are not to be spoken of,
swearing by stinking meats and such like. To
suppose that marriages are contracted between the Gods,
and that, during so long a period, there should have
been no issue from them, that some of them should be old
and always grey- headed and others young and like
children, some of a dark complexion, winged, lame,
produced from eggs, living and dying on alternate days,
is sufficiently puerile and foolish. But it is the
height of impudence to imagine, that adultery takes
place between them, that they have contests and
quarrels, and that there are Gods of theft and of
various crimes. To assist man is to be a God; this is
the path to eternal glory.
This is the path which the Roman nobles
formerly pursued, and this is the path which is now pursued by
the greatest ruler of our age, Vespasian Augustus, he who has
come to the relief of an exhausted empire, as well as by his
sons. This was the ancient mode of remunerating those who
deserved it, to regard them as Gods. For the names of all the
Gods, as well as of the stars that I have mentioned above,
have been derived from their services to mankind. And with
respect to Jupiter and Mercury, and the rest of the celestial
nomenclature, who does not admit that they have reference to
certain natural phenomena? But
it is ridiculous to suppose, that the great head of all
things, whatever it be, pays any regard to human affairs.
Can we believe, or rather can there be any doubt, that it is
not polluted by such a disagreeable and complicated office?
It is not easy to determine which opinion would be most
for the advantage of mankind, since we observe some who
have no respect for the Gods, and others who carry it to
a scandalous excess. They are slaves
to foreign ceremonies; they carry on their fingers the Gods
and the monsters whom they worship; they condemn and they lay
great stress on certain kinds of food; they impose on
themselves dreadful ordinances, not even sleeping quietly.
They do not marry or adopt children, or indeed do anything
else, without the sanction of their sacred rites. There are
others, on the contrary, who will cheat in the very Capitol,
and will forswear themselves even by Jupiter Tonans, and while
these thrive in their crimes, the others torment themselves
with their superstitions to no purpose." (The Natural History,
Book 2, chapter 5(7), from Perseus/Tufts)
A couple of centuries earlier, Polybius
could say that a nation of wise/philosophers would not need
religion or 'superstition' like the Romans had:
"But the most important
difference for the better which the Roman commonwealth appears
to me to display is in their religious beliefs. For I conceive
that what in other nations is looked upon as a reproach, I
mean a scrupulous fear of the gods, is the very thing which
keeps the Roman commonwealth together. To such an
extraordinary height is this carried among them, both in
private and public business, that nothing could exceed it.
Many people might think this unaccountable; but in my opinion
their object is to use it as a check upon the common people. If
it were possible to form a state wholly of philosophers,
such a custom would perhaps be unnecessary. But
seeing that every multitude is fickle, and full of lawless
desires, unreasoning anger, and violent passion, the only
resource is to keep them in check by mysterious terrors
and scenic effects of this sort. Wherefore, to
my mind, the ancients were not acting without purpose or at
random, when they brought in among the vulgar those opinions
about the gods, and the belief in the punishments in Hades:
much rather do I think that men nowadays are acting rashly and
foolishly in rejecting them. This is the reason why, apart
from anything else, Greek statesmen, if entrusted with a
single talent, though protected by ten checking-clerks, as
many seals, and twice as many witnesses, yet cannot be induced
to keep faith: whereas among the Romans, in their magistracies
and embassies, men have the handling of a great amount of
money, and yet from pure respect to their oath keep their
faith intact. " [Histories,
6.56]
Drachmann explains this:
"…he [Polybius] speaks
as the educated and enlightened man to whom it is a matter of
course that all this talk about the gods and the underworld is
a myth which
nobody among the better classes takes seriously. This is a tone we have not heard
before, and it is a strong indirect testimony to the fact that
Polybius is not wrong when he speaks of disbelief among the
upper classes of Greece." [HI:APA62]
Tenth. And--at least in the case
of the Greeks
mentioned by K--attacking
the myths in ridicule was not actually an attack on the belief
in the gods. Both the philosophical tradition and
the 'entertainment/literary industry' (e.g. essayists and
rhetoricians) generally held to the belief in the celestial-body
gods, but tried to remove the 'unworthy' parts of myth. The
philosophical tradition did not address the common man (unlike the
biblical prophets), but the popular writers often did.
But--somewhat later than our period--the
satirical works of Lucian can lampoon the Olympian gods in
front of the public, without it affecting popular religion
in the least. Myth (at least in the
Greco-Roman world) just wasn’t very tightly connected to
religion. This is similar to the biblical prophets: there is no
point in attacking the myths, for any number of reasons.
Lucian (later than our period) can
cast these words into the mouth of Zeus:
"As to those parasites,
and the ingratitude they showed him, I will attend to them
before long; they shall have their deserts as soon as I have
got the thunderbolt in order again. Its two best spikes are
broken and blunted; my zeal outran my discretion the other day
when I took that shot at Anaxagoras the sophist; the Gods
non-existent, indeed! that was what he was telling his
disciples. However, I missed him (Pericles had held up his
hand to shield him), and the bolt glanced off on to the
Anaceum, set it on fire, and was itself nearly pulverized on
the rock. But meanwhile it will be quite sufficient punishment
for them to see Timon rolling in money." [Timon,
13]
Drachmann explains:
"… he [Lucian] produced,
for the entertainment of the public, a series of writings the
aim of which is to make fun of the Olympian gods. … The fact is rather
than mythology at this time was fair game. It was cut off from
its connexion with religion--a connexion which in historical
times was never very intimate and was now entirely severed…
Under these circumstances [tn: the multitude of religious
options and waning of community-based loyalty to a kinship
patron deity, in the Roman Empire] the
existence of the gods and their power and will to help
their worshippers was the only thing of interest; all the
old tales about them were more than ever myths of no
religious value." [HI:APA, 85,86,87]
This issue--'forget the stories, we
want the services of a god'--is what the common Israelite (and
actually the royalty as well) was concerned about in Israel. And
thus the prophetic critiques--which bypassed the mythic
content to focus on power to intervene--was the crux of
the issue.
K [OT:TROI,
18f]: Those who have recognized this
remarkable peculiarity are too enthralled by the assumption
that the biblical writers knew the pagan myths to recognize
its significance. The fetishistic argument is said to imply
that the biblical writers repudiate the existence of the pagan
gods. But where do they? If
they meant to say that idols are vain because the gods
they represent are nonexistent, why do they persist
in arguing that idols are things of naught because wood
and stone are of no avail? Why do they conceal
the denial of the gods behind the facade of mockery and abuse
of images? But the attitude toward the idols is only one
aspect of the puzzle. How
is the silence of the entire Bible—prophets, narratives,
and laws alike—concerning the pagan mythology to be
explained? Not only does the Bible fail to deny
the existence of the gods, it nowhere repudiates the pagan
myths. [OT:TROI,
18f]
Tank comments:
First, this is just his summary
statement. We have already seen that the prophets attacked at the
central point of the religious (not mythic) system: pagan gods
were useless, powerless, unworthy of worship, and a poor
substitute for the Living God! As in the Roman Empire, this
'utility to humans' was the issue--not which sets of 'stories'
were the cleanest!
Secondly, but we have also seen
that the prophets did attack the pagan system as a whole, with its
attack on ANY rival deity (celestial or otherwise) as being unable
to transcend the system and as being unable to predict the future.
This attack included all the pagan deities, not just the idols
created by human hands.
Thirdly, we have noted throughout
the series that there are plenty of reasons for the prophets to
simply ignore the mythological satire-worthy stories--any and all
of which could have been applicable in the various passage of the
OT/Tanakh. Arguing from silence just cannot be held in this case,
when there ARE plenty of plausible reasons to focus on other, more
critical-to-the-audience factors.
So, we can list the points we made
above, in our discussion of K (many of which were already
mentioned in Parts 1 and 2):
……………………………………………
Next, Saggs
[OT:EWTDMI]
Saggs [OT:EWTDMI, 14-16]
"Comparisons
between Israelite and Mesopotamian religion have a long
history, though the purpose of the earlier instances was
purely polemic. The first attested comparison was by the
anonymous prophet whom we know as Deutero-Isaiah. For him, on
one hand stood a religion worshipping the true God who 'sits
throned on the vaulted roof of the earth', who had 'weighed
the mountains on a balance, and the hills on a pair of
scales', and to whom 'nations are but drops from a bucket',
and on the other a religion centered on idols cut out of
trees—and not even sacred trees at that, but trees of which
the part left over from making a god might be used as fuel to
cook a meal. Deutero-Isaiah's invective was splendid but his
comparison was methodologically unsound. He was highly
selective in his evidence; he presented the data in a manner
which made him guilty
of conscious distortion; and he
placed a phenomenological description of Mesopotamian
religion alongside a theological description of Yahwism. A Babylonian could,
by using corresponding methodology, without any distortion of
data, have turned the tables on Deutero-Isaiah. The Babylonian might have pointed out that for
several centuries Yahweh, after emerging from the obscurity
of a remote desert, had lived inside, or at the least in
close association with, a decorated chest made of acacia
wood. He was of rather uncertain temper, but in the main
could be kept good-humoured by regular offerings of the
smoke of burnt beef fat, of which he was inordinately fond. In contrast, Marduk
was a spiritual being, creator of heaven and earth, and so
transcendent that it was impossible to see or to comprehend
him (En El I:93-4). He was indeed so vast that he filled the
universe, so that the Babylonian in his prayer to the god
could say: 'The underworld is your basin, the sky of Anu your
censer.' (KAR, I, 46, Nr 45, obv. Col. II, line 16). Of
another Babylonian god it was said: 'He wears the heavens on
his head like a turban; he is shod with the underworld as with
sandals.' [WG Lambert, 'The Gula hymn of Bullutsa-rabi', OrNS
36 (1967), 124, lines 133-4.)
Tank comments:
When I first read this as I was
gathering materials for these articles, I was impressed by
this argument. At first blush, it DID look like Isaiah had
made an 'unfair' comparison (not that this would disqualify
his argument of course--since lampooning and spoofs often
employ exaggeration to achieve its success and the reader
KNOWS that this is being used--it is a marker for the literary
device).
But the further I got into studying
the data, the more this argument seemed to be
'methodologically unsound" itself--it seemed to draw an
'unfair' picture of what was going on in the text. The
hypothetical argument by the Babylonian is not even close in
parallel to what is going on in the Isaiah text. Consider
these observations:
One. Isaiah is not comparing
Israelite theology to Babylonian practice, but Israelite
'theology' to Israelite
practice. We have noticed often in this series (and Saggs notices
in his statement that there is a difference between the 'regular
tree' and the 'sacred tree' pieces, an indication that we are not
talking about Mesopotamian beliefs AT ALL) that Isaiah (and the
other prophets) are trying to counter Israelite or Jewish
'versions'(?) of non-YHWHistic religious perspectives. To be
parallel, the Babylonian 'theologian' would have to be contrasting
the high-myths of Babylonian gods to the practices of the common
Babylonian. But this couldn’t work since it was the Babylonian
priests who did the idol-carving and creation themselves. The
contrast that Isaiah makes cannot even be MADE in Mesopotamian
religion. The cases are not parallel in fact, and actually cannot
be paralleled even in theory.
Two.
As a description of Hebrew idol-worship, Isaiah was not
'selective' in his presentation of evidence at all. For all that
the existing data tells us, the common Israelite idol worship was
just what he pointed out: homemade statues/figurines and
worshiping them. There might have been some 'borrowed' mythology
(e.g. if the sun that they worshipped was Shamash, then maybe the
commoner knew more than vague notions of divine power--but it is
unlikely, since even the Babylonian commoners did not either), but
the main things left out were not theological, but
'liturgical'--he left out the 'bad parts' (e.g. sexual elements,
child sacrifice). If Isaiah was selective, it was 'charitable' and
not 'distortionary'!
Three. As a description of Hebrew
idol-worship, Isaiah was not actually contrasting a 'theology'
with a 'religion', but a story-of-origins (none in the case of
YHWH) versus a competing story-of-origins (natural elements in the
case of idols). The comparison did not actually include any
worship elements (other than peripherally in the phrase 'bow down'
or 'sacrifice'), so it is not accurate to call this a 'theology
versus practice' mismatch. Isaiah was not making a
'phenomenological description of Mesopotamian religion' but a
'holistic description of Mesopotamian theogony'. It contains both
phenomenological elements (e.g. the substances) and theological
(e.g. powerless to deliver, lifeless) ones.
Four. I am not convinced that a
Babylonian scribe would have taken such a position, since I tend
to agree with Oppenheim that the myths were 'literary exercises'
and products and not really theological ones. If the answer to the
hypothetical question "Did the Babylonian writers BELIEVE their
myths?" is "probably not", then their hypothetical reverse satire
is not even close to that of the OT prophets. The OT prophets
passionately believed in their theology, and were completely
convinced that adherence to that theology was a matter of life or
death for Israel. The ascriptions of greatness to Marduk that
Saggs adduces might not have been 'serious' theological
affirmations at all, and not at all in parallel with the
statements of Isaiah.
Five. The details of Saggs
would-be parody do not really match his proposed reversal. A
reversal would need to contrast a 'phenomenological description of
the origin of Yahweh' (which is impossible to do, with the
materials available) with a 'theological description of the active
and absolute sovereignty of (some) Mesopotamian god'. The ascriptions of
vastness and invisibility to a/the Babylonian god(s) is not the
same thing as the judgment images of Isaiah (e.g. thrones, scales)
and the active agency of YHWH in history (e.g. deliverance,
prediction of future, fulfillment of His decrees). We have noted
elsewhere that Mesopotamian religion was very vague (if not almost
silent) on these latter points. They might occasionally make
similar claims, but would not have had any historical data to
point to for support, like Israel did (e.g. Exodus, Conquest, and
numerous events in Judges). And YHWH's claim to absolute
uniqueness (no other gods at all) could not have been paralleled
in any ANE religion. What this means is that a 'non-distortive'
reverse parody cannot be formulated within Mesopotamian religion,
and that the example Saggs advances cannot stand as an example of
such a reverse parody.
Six. Even the example put into the
mouth of the Babylonian scribe is a little off. Phenomenologically
speaking, YHWH could not be 'keep good humored' by sacrifices when
idolatry itself was being practiced! This
central covenant treachery couldn’t be atoned for by 'smoke', as
the prophets and the history of the Northern Kingdom would attest!
And the 'lived inside--or in close association with' description
is not 'without distortion' (even apart from the obvious hedging
going on with the 'in close association with'…smile). The central
elements of the Solomonic prayer at the dedication of the first
Temple make very explicit that the 'box' or 'temple' was simply a
place-holder ('where the Name would dwell') for the God who could
not dwell in a house made by hands (I Kings 8).
So, although I was impressed by the
argument at first, it unraveled as I looked further into the
details. There are too many inaccuracies and equivocations in
it -- it would need to be reworded, at a minimum.
Saggs [OT:EWTDMI, 14-16]: "Deutero-Isaiah's representation
of the religions of other peoples in terms solely of the
worship of anthropomorphic idols was indeed a travesty. It would have been
recognized as such by earlier Israelites, who well knew that
the non-Israelite concept of deity was neither limited to
images, nor essentially anthropomorphic. This is clear from
Deut. 4:19, where it is specifically stated that the objects
of worship allotted by Yahweh to other peoples included the
sun, moon and stars; not only were these not anthropomorphic
in themselves, but in this context, where the
Israelite is warned against lifting his eyes to heaven and
being drawn away to the worship of these objects, they were
not even thought of as worshipped through the medium of an
anthropomorphic representation.
Deutero-Isaiah's
approach is reflected
in later Jewish writings, for example, in the
apocryphal Letter
of Jeremiah, which deals with the Babylonian
cultus with equal hostility and more detail. It
gives indications of being the work of a writer with some
personal knowledge of the cultus as well as of some of the
scandals alleged against the Babylonian hieratic personnel. (Ep. Jer. 6.10-11)
The author of the
Wisdom of Solomon, though not specifically dealing with
Mesopotamian religion, took up and elaborated Deutero-Isaiah's
satire on idolatry (Wis 13.11-14.1). [OT:EWTDMI, 14-16]
Tank comments:
I cannot understand why Saggs would
say that the worship of celestial beings was not 'essentially
anthropomorphic'. Ornan presents the current understanding:
"Similarly,
that
human-like form, properties and character were
attributed to deified celestial bodies
can be assumed from the plethora of textual equations of
celestial bodies with prominent personified deities. As
demonstrated by Francesca Rochberg in this volume, major
deities such as Sin, Ishtar, and Sa-mas, as
well as Marduk, Ninurta and Nergal, were
all envisioned as anthropomorphized divinities
manifested, inter
alia, in particular heavenly bodies.
Pictorial associations of the star, the moon crescent and the
solar disc with anthropomorphic representations of
Ishtar, Sin and Samas, respectively, support the
supposition that deified
celestial bodies were basically envisaged as manifesting
only one aspect of multi-faceted, personified divine
images." [OT:WIAG, Tallay
Ornan, "In the Likeness of Man: Reflections on the
Anthropocentric Perception of the Divine in Mesopotamian Art",
98]
As does Vanstiphout:
"Finally, what
shape do
the gods assume? From a number of data we can
infer that they had a shape that was at the very
least humanoid. They insist on houses—
in cities—that are based on normal human architecture, and as
far as we know, this was the case in their heavenly mansions
as well as in their earthly dwellings. Also their family structure,
their family life, their sexuality, their food and drink
preferences, their clothes, their finery, their weapons
and other utensils, their means of transport, etc., are
identical to those of the human species. This means that it would
be very hard to recognise a god if one should meet one in
the street. …Therefore it
seems that generally the gods may have a
(superhuman shape, but that they also remain
invisible in their heaven." [OT:WIAG, Herman
Vanstiphout, "Die Geschopfe des Prometheus, or How and Why Did
the Sumerians Create their Gods", 25-27]
Saggs [OT:EWTDMI, 14-16]: "The risk
of producing distortion by selectiveness in the evidence
adduced is not, of course, peculiar to the examination of
Israelite religion. Eliade has pointed out that any
religion may be exemplified by the beliefs and practices
of either a small religious elite or of the uneducated
masses, and that both represent equally valid (if
incomplete) evidence. They are indeed
complementary. But they are not equatable, and in
any comparison of two religions it is essential that as
far as possible the evidence compared shall be on the same
level. This criterion has not always been
observed; in the comparative examination of Mesopotamian and
Israelite religion, the tendency has been to treat as the
'true' Israelite
religion that of the prophetic-priestly elite of the late
eighth to sixth centuries B.C., to be compared
(as indeed it was by Deutero-Isaiah) with
Mesopotamian religion at a crude popular level.
It may be noted, as an historical curiosity of no enduring
importance, that the Panbabylonian school tended to operate
the reverse of this procedure. [OT:EWTDMI,25f]
Tank comments:
If there is one thing we have noticed
in this series, it is that the gap between the positions of
the 'small religious elite' and the 'uneducated masses' was
either wider than we have imagined or narrower than we have
thought. The gods of the populace were likely not even the
same 'exalted' deities of the elite--a huge gap. And,
conversely, whatever the populace believed about the 'exalted'
deities had been taught to them by the elite--no gap. This was
the case for Mesopotamia, and if the Hebrew prophets were somehow
addressing them (which it does not look like they were doing),
then they were still making fair representations of the
foreign viewpoints.
If the Hebrew prophets were
addressing Israelites who were trying to assimilate their
neighbors' religion, then the 'gap' issue does not even
surface--they were addressing a 'religion on the ground' which
surrounded them. The parody would be appropriate for the
low-level theology/mythology of paganized Israelites.
So, I don't think Saggs' position (in
this section of his work) is close enough 'to the ground' to
fairly represent the situation. Isaiah's 'methodological flaw'
just doesn’t seem to be there, the anthropomorphic nature of
pagan gods is well-documented, and the suggested reverse
parody scenario just doesn’t fit the data we have of
Mesopotamian religion.
…………………………………
Next, Vanstiphout's
article in [OT:WIAG]
Vanstiphout: "Therefore it seems that
generally the gods may have a (superhuman shape, but
that
they
also remain invisible in their heaven. This brings
us to a difficulty: what is the status of the statues of the
gods? We know that they were regarded as somehow identical
to the gods themselves: they are clothed and
fed and generally cared for as if they were living beings. But
the rituals and other references (poorly understood
though they are) make clear that this is merely pious make-believe.
There may have been a moment in ritual at which the statue
undergoes a transubstantiation (footnote 59) and turns
into the living god, but we have no evidence for that." [OT:WIAG, Herman Vanstiphout,
"Die Geschopfe des Prometheus, or How and Why Did the Sumerians
Create their Gods", 25-27]
Tank comments:
On the surface, this remark seems to
imply that the ancient writers 'knew better' than what they
seem to saying in the rituals, and that--somehow--they
indicate this in the rituals themselves(?). Since he doesn’t
give a reference/source for this position, I cannot evaluate
his sources, but in the earlier sections of this series, we
reviewed tons of data which supports the view that 'they were
regarded as somehow identical to the gods themselves' and
found NO hard data to suggest otherwise.
I find it very odd that when
Vanstiphout says that 'we have no evidence for that
(transubstantiation)', the data he gives in the footnote seems
to directly contradict this--both for the Old
Babylonian period and later:
Footnote
59, Page 26: "The rituals known as mis pi and pet pi ('washing the
mouth' and 'opening the mouth") are generally understood as evidence
for a kind of transubstantiation. But as far as
I know these are much later
than the Old Babylonian period. Still, there is perhaps some slight
evidence of early forms of the same idea. Even in the Presargonic Sumerian
texts from Lagash (roughly 2500-2375 B.C.E.), the verb tud 'to bear
(children)' is commonly used for the making of a divine
statue, and in the later texts, such as the rituals alluded to
above, the Akkadian counterpart of tud, waladu, is used. But
that is all there is. For tud
in this sense, see already H. Vanstiphout,
"Political Ideology in Early Sumer," Orientalia Lovaniensia Periodica
2 (1970), pp. 13-14 with footnote 30, and now
V. A. Hurowitz, "The Mesopotamian God-Image, From Womb to
Tomb," Journal of the
American Oriental Society 123 (2003), pp.
147-57, who quotes much earlier literature. Highly intriguing
are the lines from the Sumerian poem about Inana's
descent to the Netherworld, which Hurowitz quotes there. The goddess pleads with Enlil not
to let her die, and adds, "let not your good metal be
covered with dust of the Netherworld" and comparable
lines about "your good lapis lazuli" and "your boxwood." Hurowitz
understands these lines as referring to the cult statue of the
goddess, being identified with the goddess. [OT:WIAG,
Herman Vanstiphout, "Die Geschopfe des Prometheus, or How and
Why Did the Sumerians Create their Gods", 15-40]
Strictly speaking, V's comments about
'no evidence' during the OB period [ca 1900-1595 BC) are
not germane to our discussion, since the
biblical writers are dealing with a much later period anyway
(Middle Babylonian and NeoBabylonian, 1595-539 BC)--when
identity beliefs are widespread.
…………………………
Then
the work of Michael
B. Dick, in [HI:BIHMOE ]
Dick: As
clever as these prophetic parodies were, they were both
unoriginal and methodologically flawed. Each of the three
biblical objections against making the cult image has parallels
in other ancient literatures. Some of these
passages, such as the Hellenistic satirist
Lucian, spoof the cult image in language almost
indistinguishable from Deutero-Isaiah, while
other more reverent texts of the iconodule are thoroughly
aware of these objections but attempt to resolve them either
philosophically (Dio Chrysostom) or cultically (Opening of the
Mouth Ritual).
However,
Deutero-Isaiah's method is also
flawed, for he has contrasted a phenomenological
description of the Mesopotamian practice with a
theological portrayal of Yahwism. His argument
does not reflect the culpable
ignorance of the Israelite religion about other
religions (pace Kaufmann 1960: 2, 7) but a
conscious distortion forged in polemic. The
Mesopotamian just as easily
have parodied an obscure desert god who liked to live in an
acacia box (the ark of the covenant), was constantly and
whimsically changing his mind, and who was inordinantly (sic)
fond of the smell of burning beef fat (Saggs 1978: 15).
[HI:BIHMOE, 45]
Tank comments:
This is simply a restatement of the
writings of Saggs and Kaufman, which we have already discussed
in detail above.
Dick [33]:
Nevertheless, the Mesopotamians clearly maintained a
distinction between the god and his/her statue. The
destruction of a cult statue did not entail the
destruction of the deity. When the statue of
Shamash at Sippar was destroyed (CT 34 48 I 7-8) by Sutean
raiders under Simbar-Shipak (ca. 1026-1009 B.C.E.), worship of
Shamash could still continue, using a symbolic equivalent, a
sun-disk (niphu), until the reign of Nabu-apla-iddina (ca.
887-855 B.C.E.). When Nabu-apla-iddina dedicated his new
statue of Shamash, he washed its mouth "before Shamash… This
passage clearly differentiates the statue being dedicated
from the deity before whom it was dedicated,
and this despite the fact that this inscription earlier stated
that the Suteans had effaced the great Lord Shamash himself (i
1-8).
Tank comments:
Now here we get into some complex
data, some of which seems contradictory.
One. As Dick notes, the destroyed
statue was explicitly called 'Shamas'. The inscription further
describes Shamas as 'resident of Ebabarra' (i.1-12) and that his
'appearance' disappeared with the obliteration of the idol. This
would not suggest a 'clearly maintained distinction', even in this
passage.
Two. The sun-disc substitute was
not a 'full' substitute for the idol. Non-anthropomorphic symbols
(like a sun disc) were only used outside of temples, and served
only as a reminder of the real anthropomorphic idol. When the idol
was destroyed, the temple itself was 'de-constituted' thereby, in
effect. When an idol was removed from a temple, it ceased
(obviously) to be the residence of that deity. It then took on the
statues of a non-temple, in which symbols of the now-gone deity
were used in worship. [We really don’t know, however, whether all
worship functions could be performed with only a symbol--the data
distinguished between symbol and idol, but doesn’t specify what
rites were performed before symbols OUTSIDE of a temple.]
"A second monument from
the first millennium on which anthropomorphic and
non-anthropomorphic divine representations appear side by side
is the Sippar Tablet, on whose upper section a sculpted
pictorial image depicts
a divinity in both guises. The tablet's
inscription reports the installation of a new cult statue of
Samas in the Ebabbar temple in the thirty-first year of
Nabu-apla-iddina II. This visual composition differs from the
relief of Tiglath-pileser in that its
two divine representations both refer to the same
god-Samas. The fact reported in the
inscription, that
the niphu sun-emblem had replaced the statue of Samas in
human form for two hundred years while it had been
missing, sheds light on the high status of divine emblems
in first-millennium Babylonia. This status is
also conveyed by the very large scale of the emblem and its
position in the center of the scene. It accords well with the
conspicuous role of divine emblems on Babylonian kudurrus and in
Late Babylonian glyptic, discussed above. Whether or not the
visual composition on the Sippar Tablet actually depicts
the removal of the emblem from the shrine in favor of the
human-shaped cult image as described in the inscription, the
placement of the latter within the structure while the former
is shown outside the temple, implies
the somewhat "inferior" status of the divine emblem
in relation to the god's anthropomorphic image.
A similarly hierarchical arrangement in which
the
"lower" rank of the divine emblem is implied
can also be observed in the relief of Tiglath-pileser, where
Marduk in anthropomorphic form is shown at the front of the
scene, while the bird of prey is positioned at the back,
farther removed from the beholder. In both of these cases, the
positions of the divine emblems suggest the
higher status of the human-shaped god in works of art…"
[OT:WIAG, Tallay Ornan, "In the Likeness of Man: Reflections
on the Anthropocentric Perception of the Divine in
Mesopotamian Art", 122-124]
"Moreover, it seems that
within
Mesopotamian
temples the deities retained their human form, and only
when it was exhibited outside of the temple
was their image modified into a non-anthropomorphic icon…
A cultic reality in which the worship of an anthropomorphic
image kept in a shrine was accompanied
by concurrent worship directed towards a
non-anthropomorphic object located outside of the temple,
is also documented in other areas of the ancient Near East.
For example, contemporary worship of both kinds of cult
objects is referred to in Hittite cultic inventories, which
mention an anthropomorphic image of a certain deity housed in
its temple located within the city, and
concurrently huwasi
standing-stones representing the same deity located
outside the city. Similar phenomena, revealed
by archaeological data, existed in second-millennium Syria and
Israel where in various cities such as Qatna, Aleppo, Ugarit,
Gezer or Hazor,
divine
anthropomorphic statues were venerated in temples,
while steles representing deities were worshipped in
open-air sanctuaries.
Evidence that the human-shaped
representations
were usually confined to the temple precinct is
also provided by several artifacts adorned with portrayals of
major deities in human shape, which were regarded as
'belonging to' or were actually found in or attributed to
temples and sacred enclosures." [OT:WIAG, Tallay Ornan, "In
the Likeness of Man: Reflections on the Anthropocentric
Perception of the Divine in Mesopotamian Art", 143-145]
Three. In fact, the data for
'interchangeability' is otherwise--symbols were not full
equivalents of the statues:
"Texts
and images suggest that modes of divine presence or secondary
agents were
not
easily exchangeable and
that not every secondary agent could perform the full
scope of divine agency.
Although the name of the deity, its divine symbols, weapons,
emblems, or even its seat could represent the divinity in
sanctioning the legal transaction of a king's royal grant to
one of his officials, the
seat of Marduk, for instance, could not act in the
procession during the New Year Festival. In this case, the absence of the
image (salmu) did signify the absence of the god.
According to the Babylonian chronicles, during
times of war or internal strife, the New Year Festival could
not be performed because the divinity had forsaken his city.
This tells us something about the interactive function of the
anthropomorphic image, that it
could not easily be replaced or substituted.
The explanation for this lies in the fact that, once
the mouth-washing ritual had been performed, the divine
statue was perceived as a self-propelled agent.
" [OT:RCRM,149, "Divine Agency and Astralization of the Gods
in Ancient Mesopotamia", Beate Pongratz-Leisten]
Four. The distinction between the
statue and Shamash, in this case, is actually only between
pre-incarnate Shamash and post-incarnate Shamash. All of the
'opening of the mouth' ceremonies were done 'before' the gods, but
one of those gods then became 'fused with' the statue--the
transubstantiation motif we have seen before. This ceremony does
not imply that the post-ceremony idol was clearly seen to be
different from Shamash at all. In fact, the language of the
text--and many others--suggest otherwise, that the idol before
it was destroyed WAS Shamash and that the idol after it was
'awakened' WAS Shamash again.
Five. This can even be seen in
the various texts used by Dick/Walker in the description of the
Opening of the Mouth procedure [HI:BIHMOE]. They divide the
ceremony (the Babylonian version) into the pre-liminal, liminal,
and post-liminal stages (basically around the 'lighting up' of the
statue with the divine luminosity). But the statue is referred to
as 'a god' before and after the vivification event (Luminal), even
though the word 'statue' occurs in the text occasionally:
·
Babylonian
Pre-Luminal: "When you wash the mouth of a god, on a favorable
day…" (p.73)
·
Babylonian
Pre-Luminal: "You perform mouth-washing on that god…" (p.75)
·
Babylonian
Pre-Luminal: "You take the hand of that god…on a linen cloth you
seat him…" (p.75)
·
Babylonian
Post-Luminal: "You set the god in his cella…with water from the
trough you purify that god…" (p.83)
·
Assyrian
Pre-Luminal: "to the river in front of the god with a torch you
recite…" (p.89)
·
Assyrian
Pre-Luminal: "you seat that god on a reed-mat on a linen cloth"
(p.91)
·
Assyrian
Post-Luminal: "Into the ear of that god you speak as follows: You
are counted among your brother gods…From today may your destiny be
counted as divinity; with your brother gods you are counted…"
(p.95)
Six. And even if they
differentiated between the god and the statue sometimes, even the
statue was portrayed as being heavenly! The statue
was 'born in heaven' too! The god and the piece of wood were so
'fused' that the statue itself was ascribed to whatever mythology
might have been related to the deity incarnated. In the
Post-Luminal stage, the instructions refer to:
"the incantation, 'Statue born in a pure place,' the
incantation "Statue
born in heaven,"
(p.81)
Seven. Even the claim that the
destruction of a statue did not destroy the deity needs re-work.
Some of the ANE data gets us very
close to the notion of 'killing a god' by destroying
(or un-making) the divine statue:
"A third
analogy to the transformation of the elohim in our psalm [tn:
Psalm 82] may be found in the treatment of divine images also
in Mesopotamia, especially in Neo-Assyrian imperial practice.
Yoram Cohen, in an unpublished paper, has collected and
analyzed the variety of texts and visual images that concern
military conquest, and as these show, conquest
not infrequently involved the capture, deportation, and/or
destruction
of the physical images of the enemy's gods, who
were understood as a principal support and guide of the
enemy's actions. Destruction in these instances
could entail the mutilation or complete breaking up of the
image into pieces and/or the throwing of it into fire or a
well. What
this meant for the god to which the image belonged was complicated. The fate of
an image certainly was understood to reflect in some way on
the god but, since a god could have more than one image, the
relationship did not have to be one to one. Yet
in various royal inscriptions from the Neo-Assyrian,
more specifically, Sargonid kings, there can be a kind
of easy interchange between the words for image and god;
so, for example, from Ashurbanipal: "I smashed their (=
the Elamites') gods, and so pacified the lord of lords
(= Ashur)." Or, more fully in the same episode from
Ashurbanipal: "I removed its sedu and lamassu (=
protective deities), those guarding the temple, as many
as there were. ... I reckoned its gods and goddesses as
a phantom" (amna ana zaqiqi). In these passages, it
appears that the Assyrians are identifying the fate of
the images with that of their gods, and the result for
the gods is indicated by the word zaqiqu. This means
'phantom or ghost, or dream'
and, while it does not need to indicate
absolute nothingness—it can, for example, refer to the god of
dreams or to other minor divine manifestations—clearly, in the
above lines from Ashurbanipal, it
describes something that has very little substance and no
potency: something, in other words, that for all practical
purposes has been put out of commission and may be
regarded as effectively dead. A parallel to
this, as Cohen points out, is furnished by a relief from room
13 of the palace from the Neo-Assyrian royal capital at
Dur-Sharrukin (Khorsabad). Here we observe Assyrian
soldiers
hacking up an anthropomorphic image, probably of a god,
and in the main part of the relief just above it, soldiers are
weighing out on a balance precious metals that Cohen plausibly
argues are from the hacked-up statue and/or other similar
objects. This hacking up, Cohen perceptively remarks, may be
understood as the reversal of the ritual by which the image,
made in a human workshop, was "born"—that is, given divine
life-force. The destruction may, therefore, be regarded
literally as a killing. What
we have in these Neo-Assyrian depictions, thus, is the
death of the gods through the destruction of their
images—a destruction that involves a neutralization or
radical attenuation of the gods' divine potency, with
the result that they can no longer function as gods.
This is essentially what occurs in Psalm 82, with two
differences: in the psalm, there is no mention of images, just
of the elohim—although in other biblical texts, especially
from the Deuteronomic and prophetic worlds (for example, 1 Sam
5:2-4), images are emphasized and equated with their gods;
more important, in the psalm it is not just a matter of
individual elohim here and there that are put out of
commission as gods; it is the whole pantheon, apart from
Yahweh. [OT:RCRM, 221f; "Mapping
the Pantheon in Early Mesopotamia", Gonzalo Rubio]
Further, there
was no problem with the same god having cult images in two
different temples; thus Shamash had a statue in both Sippar
and Larsa. Certain deities like the sun-god
Shamash and the goddess Ishtar of the morning and evening star
were also
worshiped in their celestial bodies. Thus, some
deities could be worshiped in their cult images—often in
several different shrines—and in the sun or a star, and yet
neither of these was considered identical with the
god/goddess. Several cylinder seals
from the Akkadian period (ca. 2300-2100 B.C.E.) provide visual
evidence of the distinction between a cult image and the
deity portrayed. One seal impression preserved
in the Ecole Biblique in Jerusalem (Amiet 1955: 411-13, pl. v.
4) combines the clear depiction of gods (one enthroned, one
seated) with a smaller cult statue in a naos. The
gods and the statue are represented differently, the cult
statue being half size. Another seal,
several impressions of which are in the Louvre collection,
shows the typical introduction scene, in
which a god presents a worshiper to a seated deity, behind
whom is the cult statue. The statue is a
half-sized standing figure portrayed in profile as standing on
one foot on a pedestal typical of Akkadian statuary in the
round." [HI:BIHMOE,
32ff]
Tank comments:
The data is a bit more ambiguous than
this statement might lead one to believe.
One. Just because a god had a
statue in more than one city did NOT mean they were of the same
god--even for 'universal' deities like Shamash. We know this from
the Ugaritic materials, in which multiple 'Baals' (ok, 'Baalim'…)
received different sacrifices. Older views held that the
multiplicity of Baals meant multiplicity of 'manifestations' of
the same Baal-god, but the Ugaritic data leads to a different
conclusion: the local deities were still distinct (i.e., separate
Baals) even though they had the same name and were described using
the same mythological backgrounds:
"Once it
has been established that in the Ugaritic mythology Baal and
Haddu are two names for a single deity, a follow-up question
concerns the relation between the one Baal and his various
names and local manifestations. A
look at an Ugaritic list of gods shows that
at least seven Baal-gods received sacrifice in the
official cult (Pardee
2002).
Something similar holds for Haddu. Different
cities and different populations worshiped their own
particular Haddu (or Adda, Hadad, etc.).
Such diversity in the worship of the god does not imply that
each local Baal or Haddu had its own mythology, however. Though
differentiated by local identity,
they all partake of a common stock of mythological motifs. In
other words, the tale of the Ugaritic Baal cycle is valid for
Haddu of Aleppo, Hadad-Rimmon of the Arameans, and the
Canaanite deity Baal known from the Bible. [NIBD, s.v. Baal]"
Two. The statement that
neither the celestial bodies nor cult statues were considered
'identical' to the god is simply
impossible to prove. The data is just too contradictory, too
confused, and too extreme to allow any confidence about such
a judgment. We have already seen tons of data
which indicated a strong belief in the identity of the statue
and the god, but there is also a ton of data which identifies a
god with a celestial body or describes the body as a
manifestation of the god. The divine descriptions are
inconsistent and some are flatly incoherent. We also have texts
that identify various material objects (apart from statues) as
parts of a god's body, and texts which say that other gods form
parts of a single god's body! Neither one of our 'either/or'
or 'both/and'
bifurcations can be applied to the data, since the data is so
chaotic. Consider some statements by scholars and some of the
more extreme data points on this:
"There
are two broad classifications, or modes, of referring to the
divinity of the heavenly bodies in cuneiform sources. These
different references may represent mere manners of speaking,
hence merely a different modality of meaning without implying
any difference in conceptualization of the gods or the stars
to which they refer. The first class, or mode, derives
primarily from texts that we classify as religious-such genres
as hymns and prayers. Here, the gods are referred to or spoken
of as celestial bodies; for example, Inana is referred to as
the planet Venus or Nanna as the moon. The celestial bodies in
this mode of reference become visible embodiments of the
divine and thus point to the perception or conception of god
as heavenly body… The second class of reference is the
converse or transposition of the same terms. Here the
celestial bodies are referred to as gods—that is, as worldly
objects that manifest divine agency and give perceptible form
to certain deities. The key element in these passages is
personification—in this case meaning that a celestial body is
personified and thus referred to as a god in an
anthropomorphic way. The anthropomorphism of the stars is not
an attribution to them of human form but of human-like agency;
that is, they act in ways that sentient beings who hear,
write, cry, answer prayers, and create things do. These are in
fact all activities attributed to gods and so by extension are
attributable to heavenly bodies. Omen texts provide a major
source for such references to personified celestial bodies,
but traces of these personifications also appear in other
astronomical texts. This mode of expression that points to the
perception or conception of a heavenly body as an image of a
god, therefore, occurs in a variety of genres. … These
interrelated modes of reference may seem at first blush to be
some kind of true logical conversion of the sort "some gods
are stars" and "some stars are gods." But it is not the
conversion or transposition that is of interest, but rather
the nature of the relationship between divine and celestial. These
modes of reference imply different things: the first (gods
as stars) reflects something on the order of divine
embodiment, say, the moon-god as inherent or manifested in
the moon; and the second (stars as gods) seems to express
the physical representation of the divine in a perceptible
object, that is, the moon as the moon-god. The
difference between the two modes of reference may be merely a
function of mode of discourse, either god-talk or star-talk. The
notions of divine embodiment on one hand and physical
representation on the other may also seem somewhat
irreconcilable, or even incoherent." [OT:RCRM,123f; "The Heavens and the
Gods in Ancient Mesopotamia: The View from a Polytheistic
Cosmology", by Francesca Rochberg,]
"In
Mesopotamia and the broader sphere of the ancient Near East,
the anthropomorphic statue of the god remains the central
cultic image. What is more, the literary and historical
sources elaborate extensively on the presence and refurbishing
of divine statues or god-napping. The
binary model of aniconism versus the cultic image does not
do justice to cultic realities, and we should
probably not treat them as two rival, mutually exclusive
traditions." [ OT:RCRM, 183; "Divine Agency and Astralization
of the Gods in Ancient Mesopotamia", Beate Pongratz-Leisten]
"The
second example is Venus, for whom a plurality of divine names
are used to designate the planet—that is, Dilbat, Ninsianna,
and Istar (written dES4.DAR ord15) as well as Istar of the
Stars (d15 MUL.MES). In the Ur III period, the planet Venus
was called Ninsi'ana ('Lady Light of Heaven'). In addition,
she was associated with Samas at sunrise and Nin-urta at
sunset. Her
dual gender shows up in omens as well; for
example, "If (Venus) becomes visible in the West, she is male,
ill-portending. . . . (If) Venus rises in the East, she is
female, it is favorable." Omens in EAE 59-60 for the male
Venus planet, the evening star, include his having a beard, an
image also represented in some cylinder seals. Other traces of
anthropomorphic language occur in the Venus omens, when the
planet wears a crown, or "has a head" or "a rear," all of
which have astronomical explanations but would make no sense without
the underlying identification between celestial body and
deity." [ OT:RCRM, 127f; "The Heavens and the
Gods in Ancient Mesopotamia: The View from a Polytheistic
Cosmology", by Francesca Rochberg]
"The
plurality of ways of speaking about the divine that confronts
us in cuneiform sources adds to the complexity and difficulty
of understanding the relation between gods and physical
entities, such as the stars or the cosmos
itself. From the point of view of the Mesopotamian
polytheistic cosmos, the idea of the world presupposed a
notion of the divine
but seemed to permit contradictions such
as divinities removed from the physical world in a kind of
transcendent relation to the visible or material plane
and/or as active forces within visible physical phenomena in
a relation more akin to immanence. The
ambiguity inherent in the Mesopotamian sources persists
into later periods." [ OT:RCRM, 131; "The Heavens and the
Gods in Ancient Mesopotamia: The View from a Polytheistic
Cosmology", by Francesca Rochberg]
"The use
of classifiers in the Sumerian and Assyro-Babylonian writing
systems corroborates the fact that divine status as a relative
category was assigned in specific spatial-temporal contexts to
distinguish the respective beings or objects from their
surroundings. In addition to the writing system, ritual
practice served to segregate and demarcate sacred space and to
transform a "dead" wooden object or a celestial body
into a divine agent. These cultural
strategies argue against the notion of a cosmos in which
anything at any time is divine as well as against the notion
of a unified divine cosmos. Gods were more than
personifications of forces, aspects, and parts of nature: they
controlled their respective realms, and they acted with
intention and of their own will. In ancient Mesopotamia and
the ancient Near East at large, however, anthropomorphism
reached far
beyond an anthropomorphically imagined
agent. Celestial
bodies,
images, and cultic objects could be considered
enlivened in animate terms."
[ OT:RCRM, 144f; "Divine Agency and Astralization of the Gods
in Ancient Mesopotamia", Beate Pongratz-Leisten]
"Even in
the reports from scholars to the Sargonids, when blessings to
the king are offered and the names
of celestial bodies are given, they are referred to
explicitly as gods: 'Assur, Sin, Samas, Adad,
Nusku, Jupiter (called Sagmegar), Venus (called Dilbat),
Marduk, [Zarpanitu], Nabu, Tasmetum, Saturn (called
dUDU.IDIM.GUD.UD) Lady [of Nineveh],... the great gods of
heaven and earth, the gods dwelling in Assyria, [the gods]
dwelling in Akkad, and all the gods of the world. . . .'"[
OT:RCRM, 129; "The
Heavens and the Gods in Ancient Mesopotamia: The View from a
Polytheistic Cosmology", by Francesca Rochberg]
Four. Some of the more extreme
data points about the 'bodies' of the gods come from
descriptions of these bodies
as composite, and as composed of mundane, celestial, or even
divine elements. Their bodies are greater in size
than the heavenly realm that they supposedly live in! This data
alone would support a case for 'non-transcendence' of such
beings.
"Explicit
expressions
of the surpassing nature of certain gods are indeed attested
in religious cuneiform texts. Passages of this sort are
concerned to describe the god as surpassing in size or
greatness anything known in the world, yet these descriptions
are, without exception, drawn in terms of the world. Thus
Ningirsu appears to Gudea in a dream as a figure "like heaven
and earth in extent," and in Lugale, Ni-nurta "arose, touching
the sky, with one step (?) he covered a league." One
such elaborately developed description of the enormity of
a god is found in the hymn to Ninurta, in which Ninurta's face is the sun; his
eyes are Enlil and Ninlil; his mouth is Istar of the
stars; Anu and Antu are his lips; and other parts of
his head, neck, chest, and shoulders are other astral
figures. In this way, the heavens become a
mere portion of the "body" of the god Ninurta. Similarly, in
the hymn to the sun-god, Samas is said to see into the heavens
as one would into a bowl, but the eyesight of the god is
greater than the physical limits of both the heavens and the
entire earth. The scale of the world as something dwarfed by
the imagined greatness of Ninurta is also shown in the hymn to
Gula in the description of the god's wearing the heavens on
his head like a tiara and wearing the netherworld on his feet
like sandals! In Ludlul Bel Nemeqi, Marduk is much greater in
size than even the heavenly cosmos: "Marduk! The skies cannot
sustain the weight of his hand." Marduk's exceeding greatness
is equally well expressed in a prayer recited to this god
during the Babylonian New Year's festival, in which the priest
states, "the expanse of heaven is (but) your insides." And
Nanna/Sin is said to fill "the wide sea" and "the distant
heavens" with his divinity. Accordingly, natural phenomena
such as storms, the sky, the sun, or the moon might become the
embodiment of a divine power or the manifestation of a deity
envisioned in anthropomorphic terms, but this
conceptualization of divine power cannot be contained within
the limit of a single natural phenomenon." [ OT:RCRM, 133f; "The Heavens and the
Gods in Ancient Mesopotamia: The View from a Polytheistic
Cosmology", by Francesca Rochberg]
"The God
Description Texts consist of descriptions
of the body of a male god, each part of the body being
equated with and described by a metal, a plant, an
animal, a substance, or an object. There
are two NA editions from Assur and these are partially
duplicated by two LB editions. One of these, represented by
three manuscripts, is known from the colophon of one
manuscript to have been included in the library of Esumesa,
the temple of Ninurta in Nippur. The
four editions vary greatly in the number of parts of the
body and accompanying descriptions they include,
but otherwise agree very closely. The two Assyrian editions
agree exactly in three of the eight descriptions for which
text exists for both editions, and almost agree in another
(poplar vs. cypress). The Babylonian editions agree with each
other exactly in one of the two cases for which text survives
for both, and almost agree in the other (raisin vs. grape).
One of the Babylonian editions agrees with one of the Assyrian
editions in two cases, and almost agrees in a third (dried fig
vs. ripe fig). The existence of Babylonian editions shows that
at least the concept of the texts is Babylonian in origin; one
cannot dismiss the possibility that the larger Assyrian
editions were expanded by Assyrian scribes. The second text
given commences with the name of a god, dkar.kar,
"the shining one", and it is presumably his body which is
being described in that text. Since the descriptions of the
parts of the body in the four texts closely agree it is
probable that the same god is being described in each text. dkar.kar
is known as an epithet of Samas. However, since the text
has the epithet rather than the name, perhaps any god
conceived of as shining could have been envisaged. … The
essential object of the exposition is clearly to describe a
divinity. This is a problem which has often exercised the
imagination of mankind, sometimes with similar results. Apart
from scholarly expositions such as the present texts
Mesopotamian examples include the physical representations of
statues, reliefs, and cylinder seals, and miscellaneous
poetical and literary passages. Some
examples emphasise the ineffable nature of the divine by
offering descriptions which are only barely conceivable,
and which strain the imagination of the reader.
A description of this type is Gudea's account of the
appearance of Ningirsu, whom he had beheld in a dream: …
(Gudea Cyl. A V 13 — 6), "One like heaven and earth in extent,
as to the head a god, but his wings like the Anzu bird, his
lower parts a flood. On his right and left crouched lions". It
may be that a similar effect was intended by the composer of
the present texts." [HI:MAMEW, 92f]
Here
are the sample texts mentioned in [HI:MAMEW, 95f]:
VAT
8917 obv.1-18
1
[....]
His top-knot is tamarisk. .[..] .. [...]
2
His
[.... are ... . His] whiskers are a frond.
3
His
knees are [cedar]. His ankle bones are an apple. His penis is
a snake. His hand is a harp.
4
His
wings are [
]
5
His
[... is ... .] The blood of his heart is a cat. The drop of
his heart's blood is a partridge.
6
[..]
.. [.]. His inwards are a pig.
7
His
lip is [.]. . His tongue is a whet-stone. His arm-pit hair is
a leek.
8
The
lower jaw is a drum.
9
His
larger limbs are a lion. His smaller limbs are a dog. His mole?
is a raven.
10 [His] stature is
a poplar.
11 His heart is a
kettle-drum. His back-bone is a palm. His fingers are reeds.
12 His skull is
silver. His sperm is gold.
13 His breast hair
is a thorn bush. The hair of his groin is a boxthorn.
14 Lead is his ear
wax. His bone is a fruit tree.
15 His breasts are
fish. His breasts are figs. His tears are oil.
16 His nose mucus
is a bulrush.
17 His flesh is a
dried date. ... lower
18 The ... of his
blood is [..] [His] eye-balls are a grape.
VAT
9946 rev.9 —17
1
Karkar:
[His] pus is honey.
2
His
top-knot is tamarisk. [His] stature is a cypress.
3
His
.[..] is hemp?. [His] thighs are juniper.
4
His
knees are cedar. [His] ankle bones are a medlar tree.
5
His
fingers are a bundle of reeds. His fat is myrrh.
6
His
blood is a cat. [His] sides are oak.
7
His
sperm is gold. His breasts are lettuce.
8 The hair of his
groin is [box]thorn. The hair of his [arm]-pits is a thorn
plant.
9 The hair of
[his] breast is [..]. .
CBS
6060 rev.i —5 dupl. BM 47463 obv.ii 31—5
1
His
eye-balls are a raisin.
2
His
breasts are a dried fig.
3
His
knees are a pomegranate.
4
His
ankle bones are an apple.
5
His
flesh is a scone.
"It is
relevant that the equation of deities with parts of one
deity's body is elsewhere used to express theological
syncretism. Examples are, probably, a
hymn to Marduk
(KAR 304 and 337) where [ ...]-ka, "your [... ]" is repeatedly
equated with the names of gods, KAR 328, a section in an
explanatory work (see p.233), and a hymn to Ninurta
of which the six best preserved lines are given here (KAR 102
dupl. STT 118 11.19-24):
Your
teeth are Sibitti, who fells the evil ones.
The
area of your cheeks, lord, is the appearance of the stars of
[...
Your ears are Ea and Damkina, the sages of wisdom
[...
Your head is Adad who [..] heaven and underworld like an
artisan.
Your
forehead is Sala, the beloved spouse who makes rejoice
[...
Your neck is Marduk, judge of heaven and earth, the flood
[...
"Works
such as this which equate
parts of one god's body with other gods must be understood
in the context of theology which could synthesise diverse
gods into single gods, or explain gods in terms of other
gods. In the hymn quoted it is clear that
characteristics of Ninurta are being expounded and praised.
Not only are parts of Ninurta's body equated with other gods,
but the particular characteristic of the god in question which
is being attributed to Ninurta is explained. According to the
hymnographer Ninurta embraces the warlike character of
Sibitti, the appearance of the stars, the wisdom of Ea and his
spouse, the role of Marduk as judge, and other attributes. In
all, about twenty gods are mentioned, each equated with a part
of the body. The hymn also has a syncretistic aspect in
endeavouring to see the various gods mentioned as parts of one
single god, Ninurta. Ninurta includes in himself the gods with
which he is equated, and their attributes. [HI:MAMEW, 101]
Five. As we have noted often,
for the general public and probably many of the elite, the statue
was the god--for all practical purposes:
"In
Babylonian thinking the distinction between 'ritual' and
'myth' is slight. Statues or symbols used in rituals were believed
to be in every sense the deities which we regard them
as representing."
[HI:MAMEW, 169]
"With
Alfred Gell, I distinguish between the deity as primary agent;
and his or her indices of presence, such as statues, symbols,
or a celestial body as secondary agents. The category of
secondary agents implies a conceptual distinction between the
deity as primary agent and his or her secondary agents. In
other words, the deity is neither isomorphic nor identical
with the statue and other secondary agents. This, of course, does
not exclude the possibility that a supplicant might have
blurred the distinction in the past, just as in modern
times. This distinction is purely
intended to aid our scholarly analysis of the ancient
theological frameworks." [ OT:RCRM, 146; "Divine Agency and
Astralization of the Gods in Ancient Mesopotamia", Beate
Pongratz-Leisten]
Six. The iconic data from
visual artifacts also needs to be studied more closely, since
the creative-graphical task has to deal with 'compromises' like
poets do with words, rhymes, and meter. Accordingly (as we noted
in the earlier articles), the
representations might be more reflective of constraints of
media (e.g. small surface area) than of
'theological views' (e.g. relationship of
statue/symbol to deity). So, images which contained multiple
representations and/or agents of the divine must not be pressed
too hard. Consider this artifact:
"The
association of the moon-god with cattle also appears in the
earliest iconography of the moon-god, such as on a Late Uruk
period seal from Choga-Mish showing a
god seated on a horned bull-throne and a small
figure beside him holding up the crescent standard, all
arranged inside another well-known emblem of the moon-god,
the barge." [ OT:RCRM,125; "The Heavens and the
Gods in Ancient Mesopotamia: The View from a Polytheistic
Cosmology", by Francesca Rochberg,]
You
have (1) a god; (2) divine throne; (3) divine standard;
embedded inside another image of the god! What are we supposed
to infer about the relation of the god-inside-itself?
So the
data is just not clear enough to sustain this position, but
rather tends to support the more common view of 'practical'
identity of god and statue.
………………………………………………………. ……………
So, even after examining the
scholarly statements which would suggest that the biblical
anti-idol passages are either misinformed or slanderous, I
still consider the bulk of the ANE data to be more in line
with biblical portrayals of idolatry than otherwise.
And this part of the series (part3)
adduces even more data in support of the conclusions of part 1
and part 2.
I hope this is of value to someone,
Glenn (Aug 2011)
[idle3.html]